What’s On? An Ethology of Public Programming

Valeria Graziano

What’s On? An Ethology of Public Programming

Translated title of the contribution: What’s On? An Ethology of Public Programming

Valeria Graziano

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Abstract

Over the past 20 years, economic criteria and considerations have gained increasing significance in the exhibition world, affecting organizational forms, production conditions, and decision-making processes. Today more than ever, economic concerns determine how institutions act, what they collect and show, how they present themselves, and how we imagine them. In reaction to this, a critical discourse developed in the 1990s that analysed power relationships and logics of value determination. In the meantime, widespread interest has arisen in the practical question of how the criticism of economic dominance of public institutions could have concrete, practical consequences within those institutions: How could museums and exhibiting organizations be organized differently? And how do we want to work? The publication Gegenöffentlichkeit organisieren. Kritisches Management im Kuratieren gathers contributions anchored in both theory and practice, which reflect on organizational structures and working conditions, formulate other suggestions, and refuse to settle for a state of affairs where critical thought is combined with uncritical action.

Authors: Matthias Beitl, Dieter Bogner, Martin Fritz, Valeria Graziano, Henna Harri, Stefano Harney, Beatrice Jaschke, Laurence Rassel, Barbara Steiner, Nora Sternfeld, Wolfgang Tobisch, Lorena Vicini

With an artistic contribution by Isa Rosenberger.

Translated title of the contribution	What’s On? An Ethology of Public Programming
Original language	German
Title of host publication	Gegenöffentlichkeit organisieren
Subtitle of host publication	Kritisches Management im Kuratieren
Editors	Matthias Beitl, Beatrice Jaschke, Nora Sternfeld
Place of Publication	Berlin / Boston
Publisher	De Gruyter
Pages	(In-press)
ISBN (Print)	978-3-11-066236-8
Publication status	Published - 21 Oct 2019

Bibliographical note

Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.

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abstract = "Over the past 20 years, economic criteria and considerations have gained increasing significance in the exhibition world, affecting organizational forms, production conditions, and decision-making processes. Today more than ever, economic concerns determine how institutions act, what they collect and show, how they present themselves, and how we imagine them. In reaction to this, a critical discourse developed in the 1990s that analysed power relationships and logics of value determination. In the meantime, widespread interest has arisen in the practical question of how the criticism of economic dominance of public institutions could have concrete, practical consequences within those institutions: How could museums and exhibiting organizations be organized differently? And how do we want to work? The publication Gegen{\"o}ffentlichkeit organisieren. Kritisches Management im Kuratieren gathers contributions anchored in both theory and practice, which reflect on organizational structures and working conditions, formulate other suggestions, and refuse to settle for a state of affairs where critical thought is combined with uncritical action.Authors: Matthias Beitl, Dieter Bogner, Martin Fritz, Valeria Graziano, Henna Harri, Stefano Harney, Beatrice Jaschke, Laurence Rassel, Barbara Steiner, Nora Sternfeld, Wolfgang Tobisch, Lorena ViciniWith an artistic contribution by Isa Rosenberger.",

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ER -

What’s On? An Ethology of Public Programming

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