Activities per year
Abstract
The prolonged adoption of neoliberal economic and political ideologies by recent UK governments has significantly reshaped public life. Embracing free-market capitalism while limiting government intervention, endorsing deregulation, privatisation, and reduced public spending has exposed massive inequalities, stifled economic growth, and contributed to a decline in associational life. Local associations play a crucial role in facilitating participation in civil society. A lack of diverse opportunities to develop social associations (waning of civil society organisations, change in working habits and lifestyles, technology, the pandemic, etc.) leads to a decline in political deliberation, this produces atomsed citizens and ‘the rise of individualistic forms of participation at the expense of collectivist forms of participation’.
Art projects have established their place in city planning through public installations in placemaking and regeneration contexts. Artists working within community and social art projects have explored ways to engage with publics, with outcomes not defined by material outputs, but by the interactive processes that occur between the context, local people, and the artist. Although these strategies integrate art into the social structures of everyday life, critics of neoliberalism argue that the role of art in city development is often used to manage publics and project an image of community cohesion through the involvement of local communities in participatory art projects. Moreover, the act of contributing to an art project can result in superficial participation, replacing meaningful critique with token involvement.
Within a political framework dedicated to advancing capitalism, artists engaged in social art practice must critically explore ways to address its constraints and limitations. However, when artists are constrained by existing institutional structures and unable to propose new social systems, expecting them to drive innovative change may be unrealistic. Additionally, attributing solutions to artists where others have failed may oversimplify the complexities involved.
Art projects have established their place in city planning through public installations in placemaking and regeneration contexts. Artists working within community and social art projects have explored ways to engage with publics, with outcomes not defined by material outputs, but by the interactive processes that occur between the context, local people, and the artist. Although these strategies integrate art into the social structures of everyday life, critics of neoliberalism argue that the role of art in city development is often used to manage publics and project an image of community cohesion through the involvement of local communities in participatory art projects. Moreover, the act of contributing to an art project can result in superficial participation, replacing meaningful critique with token involvement.
Within a political framework dedicated to advancing capitalism, artists engaged in social art practice must critically explore ways to address its constraints and limitations. However, when artists are constrained by existing institutional structures and unable to propose new social systems, expecting them to drive innovative change may be unrealistic. Additionally, attributing solutions to artists where others have failed may oversimplify the complexities involved.
Original language | English |
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Title of host publication | Livable Cities London |
Subtitle of host publication | A Critique of Issues Affecting Life in Cities |
Publisher | AMPS |
Chapter | 23 |
Pages | 234-242 |
Number of pages | 9 |
Edition | 39.1 |
Publication status | Published - 10 Mar 2025 |
Event | Livable Cities - London: A Conference on Issues Affecting Life in Cities - City University of London, London, United Kingdom Duration: 26 Jun 2024 → 28 Jun 2024 |
Publication series
Name | AMPS Proceedings |
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ISSN (Print) | 2398-9467 |
Conference
Conference | Livable Cities - London |
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Country/Territory | United Kingdom |
City | London |
Period | 26/06/24 → 28/06/24 |
Keywords
- Neoliberlism
- Civil Society
- Arts function
- Associational Life
- Community Development
Fingerprint
Dive into the research topics of 'What Is To Be Done? Arts Role In Rebuilding Associational Life'. Together they form a unique fingerprint.Activities
- 2 Participation in conference
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Livable Cities - London
Jordan, M. (Speaker) & HEWITT, A. (Speaker)
26 Jun 2024 → 28 Jun 2024Activity: Participating in or organising an event › Participation in conference
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CONTEMPORARY CULTURAL RESPONSES TO A NEOLIBERAL WORLD The Centre for Cultural and Literary Studies (CCLS) at the University of Northampton
Jordan, M. (Speaker) & Hewitt, A. (Speaker)
13 Jun 2024Activity: Participating in or organising an event › Participation in conference
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Dream-walking-banner (How to Practice Culture-led Re-Commoning of Cities
Jordan, M. (Artist) & Hewitt, A. (Artist), 14 Sept 2024Research output: Practice-Based and Non-textual Research › Artefact
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Introducing open montage: Material performativity in urban media configurations in space
Jordan, M. & Rizzioli, G., 12 Jul 2024, In: NECSUS - European Journal of Media Studies. 13, 1, p. 74-96 23 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile20 Downloads (Pure) -
Depoliticization, participation and social art practice: On the function of social art practice for politicization
Jordan, M. & Hewitt, A., 1 Apr 2023, In: Art & the Public Sphere. 11, 1, p. 19-36 18 p.Research output: Contribution to journal › Article › peer-review
Open AccessFile1 Citation (Scopus)306 Downloads (Pure)