Unmasking Sidney Nolan's Ned Kelly: X-ray fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation

Andrew Yip; Paula Dredge; Daryl Howard; Kendrah Morgan

doi:10.1080/14434318.2017.1450061

Unmasking Sidney Nolan's Ned Kelly: X-ray fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation

Andrew Yip, Paula Dredge, Daryl Howard, Kendrah Morgan

University of New South Wales

Research output: Contribution to journal › Article › peer-review

Abstract

Sidney Nolan’s 1945 painting Ned Kelly: ‘Nobody knows anything about my case except myself’ (hereafter Nobody knows) is one of the earliest instances of the artist’s use of the iconic black square motif to represent the mask of Australia’s most notorious bushranger.

Original language	English
Pages (from-to)	147-161
Number of pages	15
Journal	Australian and New Zealand Journal of Art
Volume	17
Issue number	2
DOIs	https://doi.org/10.1080/14434318.2017.1450061
Publication status	Published - 2017
Externally published	Yes

Keywords

Virtual Reality
Paintings Conservation
Museums
Sidney Nolan
Ned Kelly
X-ray fluoroscopy

ASJC Scopus subject areas

Conservation
Museology
Visual Arts and Performing Arts

Access to Document

10.1080/14434318.2017.1450061

1 Exhibition

Sidney Nolan's Ned Kelly Unmasked: Virtual Reality
Yip, A., Jan 2017
Research output: Practice-Based and Non-textual Research › Exhibition

Museums and Galleries Australia National Award
Yip, A. (Recipient), 2018
Prize: Prize (including medals and awards)

Cite this

@article{929d3aae57dd4668a0bb3b4b71de94f8,

title = "Unmasking Sidney Nolan's Ned Kelly: X-ray fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation",

abstract = "Sidney Nolan{\textquoteright}s 1945 painting Ned Kelly: {\textquoteleft}Nobody knows anything about my case except myself{\textquoteright} (hereafter Nobody knows) is one of the earliest instances of the artist{\textquoteright}s use of the iconic black square motif to represent the mask of Australia{\textquoteright}s most notorious bushranger.",

keywords = "Virtual Reality, Paintings Conservation, Museums, Sidney Nolan, Ned Kelly, X-ray fluoroscopy",

author = "Andrew Yip and Paula Dredge and Daryl Howard and Kendrah Morgan",

year = "2017",

doi = "10.1080/14434318.2017.1450061",

language = "English",

volume = "17",

pages = "147--161",

journal = "Australian and New Zealand Journal of Art",

issn = "2203-1871",

publisher = "Taylor and Francis",

number = "2",

}

TY - JOUR

T1 - Unmasking Sidney Nolan's Ned Kelly: X-ray fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation

AU - Yip, Andrew

AU - Dredge, Paula

AU - Howard, Daryl

AU - Morgan, Kendrah

PY - 2017

Y1 - 2017

N2 - Sidney Nolan’s 1945 painting Ned Kelly: ‘Nobody knows anything about my case except myself’ (hereafter Nobody knows) is one of the earliest instances of the artist’s use of the iconic black square motif to represent the mask of Australia’s most notorious bushranger.

AB - Sidney Nolan’s 1945 painting Ned Kelly: ‘Nobody knows anything about my case except myself’ (hereafter Nobody knows) is one of the earliest instances of the artist’s use of the iconic black square motif to represent the mask of Australia’s most notorious bushranger.

KW - Virtual Reality

KW - Paintings Conservation

KW - Museums

KW - Sidney Nolan

KW - Ned Kelly

KW - X-ray fluoroscopy

U2 - 10.1080/14434318.2017.1450061

DO - 10.1080/14434318.2017.1450061

M3 - Article

SN - 2203-1871

VL - 17

SP - 147

EP - 161

JO - Australian and New Zealand Journal of Art

JF - Australian and New Zealand Journal of Art

IS - 2

ER -

Unmasking Sidney Nolan's Ned Kelly: X-ray fluorescence Conservation Imaging, Art Historical Interpretation and Virtual Reality Visualisation

Abstract

Keywords

ASJC Scopus subject areas

Access to Document

Fingerprint

Research output

Sidney Nolan's Ned Kelly Unmasked: Virtual Reality

Prizes

Museums and Galleries Australia National Award

Cite this