THE SHOCK OF THE RISKY(QUÉ) FEMALE: FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN

Research output: Chapter in Book/Report/Conference proceedingChapter

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Abstract

What role did the figure of the dancing female play in negotiating cultural anxieties in the Great War era? I explore this question by looking at the female performer Maud Allan who was famous for her danced interpretations of Salomé in pre-War London and cause of a sensational libel suit in 1918 bring together deviant female sexuality and wartime espionage. I juxtapose Allan with ballerina Anna Pavlova, a contemporary, and role model par excellence for proper femininity. These two examples offer a rich comparison from which to discuss how dancing and femininity was the grounds for inciting and palliating the profound cultural trauma of the Great War era.
Original languageEnglish
Title of host publicationA World of Muscle, Bone & Organs
Subtitle of host publicationResearch and Scholarship in Dance
EditorsSimon Ellis, Hetty Blades, Charlotte Waelde
Place of PublicationCoventry University
Publisher Published by C-DaRE at Coventry University
Pages267-293
Number of pages27
ISBN (Electronic)ISBN: 9781846000836
Publication statusPublished - 1 Jun 2018

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World War I
Dancing
Femininity
Trauma
Espionage
Ballerina
Performer
Female Sexuality
Causes
Cultural Anxiety
Defamation
Wartime
Cultural Trauma

Bibliographical note

Except as otherwise stated this work is licensed under a Creative Commons Attribution 4.0 International License.

Cite this

Thoms, V. (2018). THE SHOCK OF THE RISKY(QUÉ) FEMALE: FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN. In S. Ellis, H. Blades, & C. Waelde (Eds.), A World of Muscle, Bone & Organs: Research and Scholarship in Dance (pp. 267-293). Coventry University: Published by C-DaRE at Coventry University.

THE SHOCK OF THE RISKY(QUÉ) FEMALE : FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN. / Thoms, Victoria.

A World of Muscle, Bone & Organs: Research and Scholarship in Dance. ed. / Simon Ellis; Hetty Blades; Charlotte Waelde. Coventry University : Published by C-DaRE at Coventry University, 2018. p. 267-293.

Research output: Chapter in Book/Report/Conference proceedingChapter

Thoms, V 2018, THE SHOCK OF THE RISKY(QUÉ) FEMALE: FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN. in S Ellis, H Blades & C Waelde (eds), A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Published by C-DaRE at Coventry University, Coventry University, pp. 267-293.
Thoms V. THE SHOCK OF THE RISKY(QUÉ) FEMALE: FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN. In Ellis S, Blades H, Waelde C, editors, A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Coventry University: Published by C-DaRE at Coventry University. 2018. p. 267-293
Thoms, Victoria. / THE SHOCK OF THE RISKY(QUÉ) FEMALE : FEMININITY AND THE TRAUMA OF THE GREAT WAR ERA IN THE DANCING OF MAUD ALLAN. A World of Muscle, Bone & Organs: Research and Scholarship in Dance. editor / Simon Ellis ; Hetty Blades ; Charlotte Waelde. Coventry University : Published by C-DaRE at Coventry University, 2018. pp. 267-293
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