The Politics and Aesthetics of Storytelling in Diana Abu-Jaber’s "Crescent": A Strategic Implementation of an Old Folkloric Arab Tradition

Ishak Berrebbah

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    Abstract

    This paper discusses the politics and multi-functionality of storytelling in Diana Abu-Jaber's novel Crescent (2003). I argue that the strategic use of storytelling places Crescent as a complex hybrid text that projects the nature, and development, of Arab American literature in the contemporary era. In addition to having the practice of storytelling as an apparatus to project identity in Crescent, Abu-Jaber re-appropriates its empowered status in Arab culture as well as politicizes its image in the mind of her readers. Besides employing critical and analytical approaches to the novel, this paper relies on arguments and perspectives of prominent postcolonial and literary critics and theorists such as Edward Said, Suzanne Keen, Walter Benjamin, and Somaya Sami Sabry, to name a few.
    Original languageEnglish
    Pages (from-to)127-144
    Number of pages15
    JournalEnglish Studies at NBU
    Volume6
    Issue number1
    DOIs
    Publication statusPublished - 30 Jun 2020

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