The form of sound through hybrid materials

Laura Ferrarello; Kevin Walker

doi:10.1145/2945078.2945165

The form of sound through hybrid materials

Laura Ferrarello, Kevin Walker

Royal College of Art

Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding › peer-review

2 Citations (Scopus)

26 Downloads (Pure)

Abstract

We describe a digital design process utilising real-time data in 3D modeling and 3D printing. Digital Impressionism is a platform explores new material possibilities, by modelling not only objects and environments but invisible forces that act upon them. Using a 3D pointcloud as a medium, we describe a project run with our students in our programme incorporating real-time audio data to manipulate 3D forms, resulting in new static and dynamic forms with what we call a hybrid materiality. We introduce the project, discuss related work, describe our methodology and results, then discuss the implications and next steps.

Original language	English
Title of host publication	ACM SIGGRAPH 2016 Posters
Place of Publication	Los Angeles
Publisher	ACM
Number of pages	2
DOIs	https://doi.org/10.1145/2945078.2945165
Publication status	Published - 24 Jul 2016
Externally published	Yes
Event	SIGGRAPH 2016 - Anaheim, United States Duration: 24 Jul 2016 → 28 Jul 2016 http://s2016.siggraph.org

Conference

Conference	SIGGRAPH 2016
Country/Territory	United States
City	Anaheim
Period	24/07/16 → 28/07/16
Internet address	http://s2016.siggraph.org

Keywords

sound
materials
3D
design

ASJC Scopus subject areas

Arts and Humanities (miscellaneous)

Access to Document

10.1145/2945078.2945165

Ferrarello-SIGGRAPHFinal published version, 1.44 MBLicence: Unspecified

Cite this

@inproceedings{3fd02c9f52b24437a8f801c261b6f712,

title = "The form of sound through hybrid materials",

abstract = "We describe a digital design process utilising real-time data in 3D modeling and 3D printing. Digital Impressionism is a platform explores new material possibilities, by modelling not only objects and environments but invisible forces that act upon them. Using a 3D pointcloud as a medium, we describe a project run with our students in our programme incorporating real-time audio data to manipulate 3D forms, resulting in new static and dynamic forms with what we call a hybrid materiality. We introduce the project, discuss related work, describe our methodology and results, then discuss the implications and next steps.",

keywords = "sound, materials, 3D, design",

author = "Laura Ferrarello and Kevin Walker",

year = "2016",

month = jul,

day = "24",

doi = "10.1145/2945078.2945165",

language = "English",

booktitle = "ACM SIGGRAPH 2016 Posters",

publisher = "ACM",

address = "United States",

note = "SIGGRAPH 2016 ; Conference date: 24-07-2016 Through 28-07-2016",

url = "http://s2016.siggraph.org",

}

TY - GEN

T1 - The form of sound through hybrid materials

AU - Ferrarello, Laura

AU - Walker, Kevin

PY - 2016/7/24

Y1 - 2016/7/24

N2 - We describe a digital design process utilising real-time data in 3D modeling and 3D printing. Digital Impressionism is a platform explores new material possibilities, by modelling not only objects and environments but invisible forces that act upon them. Using a 3D pointcloud as a medium, we describe a project run with our students in our programme incorporating real-time audio data to manipulate 3D forms, resulting in new static and dynamic forms with what we call a hybrid materiality. We introduce the project, discuss related work, describe our methodology and results, then discuss the implications and next steps.

AB - We describe a digital design process utilising real-time data in 3D modeling and 3D printing. Digital Impressionism is a platform explores new material possibilities, by modelling not only objects and environments but invisible forces that act upon them. Using a 3D pointcloud as a medium, we describe a project run with our students in our programme incorporating real-time audio data to manipulate 3D forms, resulting in new static and dynamic forms with what we call a hybrid materiality. We introduce the project, discuss related work, describe our methodology and results, then discuss the implications and next steps.

KW - sound

KW - materials

KW - 3D

KW - design

U2 - 10.1145/2945078.2945165

DO - 10.1145/2945078.2945165

M3 - Conference proceeding

BT - ACM SIGGRAPH 2016 Posters

PB - ACM

CY - Los Angeles

T2 - SIGGRAPH 2016

Y2 - 24 July 2016 through 28 July 2016

ER -

The form of sound through hybrid materials

Abstract

Conference

Keywords

ASJC Scopus subject areas

Access to Document

Fingerprint

Cite this