The DreamWorks effect: The case for studying the ideology of production design

Research output: Contribution to journalArticle

3 Citations (Scopus)

Abstract

The article discusses the impact on production design of new technologies such as computer-generated imagery (CGI). Just as art directors in the past were concerned with creating persuasive, "real" environments that satisfied varying generic and social verisimilar codes, it is striking how this approach has been maintained in the use of CGI. In the example of "Band of Brothers", the "success" of the recreation of the past depends on CGI's ability to replicate aesthetic codes associated with cinematic realism, for example the artificial creation of hand-held camera effects. (Quotes from original text)
Original languageEnglish
Pages (from-to)383-390
Number of pages8
JournalScreen
Volume45
Issue number4
DOIs
Publication statusPublished - 1 Dec 2004

Fingerprint

Ideology
Dreamwork
Imagery
Aesthetics
Realism
Art Director
Recreation
Artificial
Brothers

Keywords

  • Cinema Sets
  • Design
  • Computer Use
  • Television
  • USA
  • Drama
  • Band of Brothers

Cite this

The DreamWorks effect : The case for studying the ideology of production design. / Sutton, Damian.

In: Screen, Vol. 45, No. 4, 01.12.2004, p. 383-390.

Research output: Contribution to journalArticle

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