TY - CHAP
T1 - The curious nature of negotiating studio-based practice in PhD research
T2 - Intimate bodies and technologies
AU - Francksen, Kerry
N1 - Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.
PY - 2021/12/30
Y1 - 2021/12/30
N2 - This short retrospective considers some of the important activities involved in negotiating practice in PhD research. By reflecting on my investigations into the embodied and somatic practices of moving in media-rich environments, I focus on my project Intimate Bodies and Technologies: A Concept for Live-Digital Dancing (Intimate Bodies) as a specific case in point. In my retrospective, I contemplate the often complex, changeable, and multi-layered processes of negotiation practice-based research, and discuss key topics such as methodology and knowledge as practice. Specifically, I reflect on some of the practicalities of exploring practice via a studio-based investigation and highlight a number of key discoveries that were encountered during the process. While the subject of Intimate Bodies is particular to the areas of dance performance and digital media, the methods and strategies developed are also applicable across a range of practical subjects. For example, the interconnections between practice and theory, as they played out in the studio context, highlighted some key landmark activities that necessitated a changed approach. This helped to define the emerging thesis and ultimately enabled me to explore the production of knowledge via practice. As such, some of the discoveries made pose interesting questions for the practice-based researcher.
AB - This short retrospective considers some of the important activities involved in negotiating practice in PhD research. By reflecting on my investigations into the embodied and somatic practices of moving in media-rich environments, I focus on my project Intimate Bodies and Technologies: A Concept for Live-Digital Dancing (Intimate Bodies) as a specific case in point. In my retrospective, I contemplate the often complex, changeable, and multi-layered processes of negotiation practice-based research, and discuss key topics such as methodology and knowledge as practice. Specifically, I reflect on some of the practicalities of exploring practice via a studio-based investigation and highlight a number of key discoveries that were encountered during the process. While the subject of Intimate Bodies is particular to the areas of dance performance and digital media, the methods and strategies developed are also applicable across a range of practical subjects. For example, the interconnections between practice and theory, as they played out in the studio context, highlighted some key landmark activities that necessitated a changed approach. This helped to define the emerging thesis and ultimately enabled me to explore the production of knowledge via practice. As such, some of the discoveries made pose interesting questions for the practice-based researcher.
UR - http://dx.doi.org/10.4324/9780429324154-51
U2 - 10.4324/9780429324154-51
DO - 10.4324/9780429324154-51
M3 - Chapter
SN - 9780429324154
T3 - Routledge International Handbooks
SP - 650
EP - 659
BT - The Routledge International Handbook of Practice-Based Research
A2 - Vear, Craig
PB - Routledge
ER -