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The Clown Suicides: The Death and Cinematic Afterlife of Marceline Orbes and Francis “Slivers” Oakley, New York's Superstar Clowns, in Charlie Chaplin’s Limelight

  • Darren Reid

    Research output: Contribution to journalArticlepeer-review

    1346 Downloads (Pure)

    Abstract

    A detailed exploration of the ways in which Chaplin coded his 1952 film, hitherto seen as a work of autobiography, with references to Marceline Orbes and Francis Oakley, a pair of earlier stage clowns who had inspired the film legend but who took their own lives after cinematic works by Chaplin helped to destroy their careers.

    Publisher Statement: Copyright © 2017 by The Pennsylvania State University. All rights reserved.

    This article is used by permission of The Pennsylvania State University Press.
    Original languageEnglish
    Pages (from-to)157-177
    Number of pages21
    JournalStudies in American Humor
    Volume3
    Issue number2
    DOIs
    Publication statusPublished - 1 Oct 2017

    Bibliographical note

    Copyright © 2017 by The Pennsylvania State University. All rights reserved.

    This article is used by permission of The Pennsylvania State University Press.

    UN SDGs

    This output contributes to the following UN Sustainable Development Goals (SDGs)

    1. SDG 3 - Good Health and Well-being
      SDG 3 Good Health and Well-being

    Keywords

    • chaplin
    • suicide
    • mime
    • comedy
    • performing arts
    • keaton
    • clowning
    • silent film
    • vaudeville
    • american studies

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