Sculptural vessels across the great divide: Tony Cragg's Laibe and the metaphors of clay

Imogen Racz

doi:10.1386/jvap.8.3.215/1

Sculptural vessels across the great divide: Tony Cragg's Laibe and the metaphors of clay

Imogen Racz

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	215-228
Journal	Journal of Visual Art Practice
Volume	8
Issue number	3
DOIs	https://doi.org/10.1386/jvap.8.3.215/1
Publication status	Published - Dec 2009

Bibliographical note

Author's note: This 6,000 word journal article has been published by the peer reviewed Journal of Visual Art Practice and is significant in its discussion that crosses of the boundaries between sculptural and craft practices. This is unusual, although there has now been some research undertaken in this area by the Henry Moore Foundation amongst others.
To write this article there was significant research of both primary and secondary material from both the craft and the fine art sides of the debate. The pulling together of this material has been important in keeping a debate – that is normally only seen from single perspectives – open, and also for helping to give a platform for further debates.

Keywords

Cragg
Laibe
vessel
skill
ceramic
exhibitions

Access to Document

10.1386/jvap.8.3.215/1

http://www.intellectbooks.co.uk/journals/view-Article,id=8878/

2 Citations
1 Chapter

Sculptural Vessels across the great divide: Tony Cragg's Laibe and the metaphors of clay
Racz, I., 23 Feb 2017, The Ceramics Reader. Petrie, K. & Livingstone, A. (eds.). 1st ed. London: Bloomsbury Academic, p. 73-84 12 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Open Access
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Cite this

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Sculptural vessels across the great divide: Tony Cragg's Laibe and the metaphors of clay

Bibliographical note

Keywords

Access to Document

Research output

Sculptural Vessels across the great divide: Tony Cragg's Laibe and the metaphors of clay

Cite this