Scoring Choreographic Poetics

Hetty Blades

doi:10.1386/chor.6.2.261_1

Scoring Choreographic Poetics

Hetty Blades

Research output: Contribution to journal › Article › peer-review

2 Citations (Scopus)

114 Downloads (Pure)

Abstract

This article considers two ‘choreographic objects’, Synchronous Objects for One Flat Thing, reproduced (2009) and Using the Sky (2013). In response to articulations from performance researchers Scott deLahunta and Bojana Cvejić, I outline the ways in which such objects can be seen as ‘poetics’. Drawing on ideas arising in literary theory from Gérard Genette, and dance studies from Laurence Louppe, I consider how the scores utilize technology to draw together articulations about the process of dance making with the resonance of the body in performance.

Original language	English
Pages (from-to)	261-278
Journal	Choreographic Practices
Volume	6
Issue number	2
DOIs	https://doi.org/10.1386/chor.6.2.261_1
Publication status	Published - 1 Oct 2015

Keywords

choreographic objects
poetics
technology
score
process
body
animation

Access to Document

10.1386/chor.6.2.261_1

Scoring Choreographic PoeticsAccepted author manuscript, 927 KB

Hetty Blades
- Research Centre for Dance Research - Associate Professor (Research)
Person: Teaching and Research

Cite this

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abstract = "This article considers two {\textquoteleft}choreographic objects{\textquoteright}, Synchronous Objects for One Flat Thing, reproduced (2009) and Using the Sky (2013). In response to articulations from performance researchers Scott deLahunta and Bojana Cveji{\'c}, I outline the ways in which such objects can be seen as {\textquoteleft}poetics{\textquoteright}. Drawing on ideas arising in literary theory from G{\'e}rard Genette, and dance studies from Laurence Louppe, I consider how the scores utilize technology to draw together articulations about the process of dance making with the resonance of the body in performance.",

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KW - technology

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KW - process

KW - body

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Scoring Choreographic Poetics

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Hetty Blades

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