Remote Rhythms: Audience-informed insights for designing remote music performances

Sophia Ppali, Max Scorer, Elena Ppali, Boyd Branch, Alexandra Covaci

    Research output: Chapter in Book/Report/Conference proceedingConference proceedingpeer-review

    1 Citation (Scopus)
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    Abstract

    This paper examines the design of technology for remote music performances, from the perspective of their audiences. In this process, we involved a total of 104 participants across the different stages of our project. Initially, we collected qualitative data from remote audiences using several methods, including surveys, interviews, and observations. Through the thematic analysis of this data, we identified four design dimensions consisting of 17 key elements that illustrate what audiences value in remote music spaces. We applied these insights in a participatory design workshop with diverse stakeholders, contributing to the development of speculative design ideas in this field. The paper concludes by presenting key design insights for future technology advancements in remote music performances. The research contributes to the evolving design space of remote music performances, offering valuable perspectives for researchers, designers, and industry stakeholders.
    Original languageEnglish
    Title of host publicationDIS '24: Proceedings of the 2024 ACM Designing Interactive Systems Conference
    EditorsAnna Vallgårda, Li Jönsson, Jonas Fritsch, Sarah Fdili Alaoui, Christopher A Le Dantec
    PublisherACM
    Pages2675-2690
    Number of pages16
    ISBN (Electronic)979-8-4007-0583-0
    DOIs
    Publication statusPublished - 1 Jul 2024
    EventDIS '24: Designing Interactive Systems Conference - Copenhagen, Denmark
    Duration: 1 Jul 20245 Jul 2024

    Conference

    ConferenceDIS '24: Designing Interactive Systems Conference
    Country/TerritoryDenmark
    CityCopenhagen
    Period1/07/245/07/24

    Bibliographical note

    This work is licensed under a Creative Commons Attribution International
    4.0 License CC BY

    Funding

    We would like to thank all of our participants for taking the time to share their experiences with us. We would also like to acknowledge the following contributors: Luca Turchet and Alberto Boem, who supported us in the frst part of the study; Eva Forest, Maria Llop, Mayank Loonker, Ferran Altarriba Bertran, and the people from VOLTA XR, who supported the event observations; and Chee Siang Ang who provided feedback throughout the process. This work has received funding from the European Union\u2019s Horizon 2020 Research and Innovation Programme under Grant Agreement No 739578 and the Government of the Republic of Cyprus through the Deputy Ministry of Research, Innovation and Digital Policy. Views and opinions expressed are however those of the author(s) only and do not necessarily refect those of the European Union. Neither the European Union nor the granting authority can be held responsible for them.

    FundersFunder number
    European Commission
    Deputy Ministry of Research, Innovation and Digital Policy
    Horizon Europe739578

    Keywords

    • Audiences
    • Remote music performances
    • Music
    • Musicians
    • Performance
    • Live streaming
    • Music interaction

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