Abstract
This article is a reflection on my own practice and its connection to changing representations of time and movement within photography. In my work as an artist and photographer, I have endeavoured to develop a particular perspective on the relation between the heritage of photomechanical tools, new technologies, memory and space. In what follows, I describe a series of pivotal moments in the formation of this perspective as they exemplify a specific strand of photography, showing how they connect to wider transformations in the field of visual cultures.
| Original language | English |
|---|---|
| Pages (from-to) | 52-70 |
| Journal | Early Popular Visual Culture |
| Volume | 11 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 2013 |
Bibliographical note
The full text of this item is not available from the repository.This is an electronic version of an article published in Early Popular Visual Culture, 11 (1), pp. 52-70. Early Popular Visual Culture is available online at: http://www.tandfonline.com/doi/abs/10.1080/17460654.2013.766049
Keywords
- bullet time
- chronophotography
- panorama
- TimeSlice