This article is a reflection on my own practice and its connection to changing representations of time and movement within photography. In my work as an artist and photographer, I have endeavoured to develop a particular perspective on the relation between the heritage of photomechanical tools, new technologies, memory and space. In what follows, I describe a series of pivotal moments in the formation of this perspective as they exemplify a specific strand of photography, showing how they connect to wider transformations in the field of visual cultures.
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This is an electronic version of an article published in Early Popular Visual Culture, 11 (1), pp. 52-70. Early Popular Visual Culture is available online at: http://www.tandfonline.com/doi/abs/10.1080/17460654.2013.766049
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