Projects per year
Abstract
“I wasn't very interested in culture. I never really thought about researching my heritage, documenting it or presenting it in an exhibition. Our community never really talked about heritage. Now that has changed. Now as soon as I hear someone reference to the past, I think about interviewing them and learning more. “
During 2017-2019, around 30 young Palestinians (18-28 years old) from 33 Bedouin and villager communities in the South Hebron Hills (SHH) Palestine, trained on oral history methodology and video recorded the life-stories of older generations in their community about the different aspects of cultural heritage. The Bedouin communities of Palestine have a rich cultural heritage, which is intertwined with that of their non-Bedouin neighbours. The creation of Israeli closed military zones, the imposition of severe restrictions on movement, and forcible evictions have threatened the connection between Palestinians and their land. The occupied Palestinian territory (oPt) was divided as a result of Oslo Accords into three areas; A, B and C. On Our Land is based in Area C, an area comprising 60% of the West Bank in which the Israeli state has control over security, infrastructure and planning, whilst the Palestinian Authority has responsibility for education and health services (B’Tselem 2014). Collecting oral history stories demonstrated the value of cultural heritage protection as an important resource to support Palestinian social and economic life.
This chapter utilises the Palestinian concept of Sumud (resilience in Arabic ) to examine how the youth researchers gained agency and increased connection to their land by using participatory video methods. The resilience framework analyses the engagement of the youth researchers and how they developed increased levels of confidence and pride over their heritage and land. The chapter will critically assess the challenges of conducting participatory research in small communities in Palestine: how to overcome the challenges of different conflicting interests, how gender was negotiated within the space of the group and community, and what issues the youth faced on their journey of collecting stories. It will aim to respond to the question of how the youth were able to create knowledge as the experts of their communities and through this way protect their own cultural heritage.
During 2017-2019, around 30 young Palestinians (18-28 years old) from 33 Bedouin and villager communities in the South Hebron Hills (SHH) Palestine, trained on oral history methodology and video recorded the life-stories of older generations in their community about the different aspects of cultural heritage. The Bedouin communities of Palestine have a rich cultural heritage, which is intertwined with that of their non-Bedouin neighbours. The creation of Israeli closed military zones, the imposition of severe restrictions on movement, and forcible evictions have threatened the connection between Palestinians and their land. The occupied Palestinian territory (oPt) was divided as a result of Oslo Accords into three areas; A, B and C. On Our Land is based in Area C, an area comprising 60% of the West Bank in which the Israeli state has control over security, infrastructure and planning, whilst the Palestinian Authority has responsibility for education and health services (B’Tselem 2014). Collecting oral history stories demonstrated the value of cultural heritage protection as an important resource to support Palestinian social and economic life.
This chapter utilises the Palestinian concept of Sumud (resilience in Arabic ) to examine how the youth researchers gained agency and increased connection to their land by using participatory video methods. The resilience framework analyses the engagement of the youth researchers and how they developed increased levels of confidence and pride over their heritage and land. The chapter will critically assess the challenges of conducting participatory research in small communities in Palestine: how to overcome the challenges of different conflicting interests, how gender was negotiated within the space of the group and community, and what issues the youth faced on their journey of collecting stories. It will aim to respond to the question of how the youth were able to create knowledge as the experts of their communities and through this way protect their own cultural heritage.
Original language | English |
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Title of host publication | Post-Conflict Participatory Arts and Socially Engaged Development |
Editors | Faith Mkwananzi, F.Melis Cin |
Publisher | Routledge |
Chapter | 6 |
Number of pages | 31 |
Edition | 1 |
ISBN (Print) | 9780367638634, 9780367638658 |
Publication status | Published - 16 Dec 2021 |
Bibliographical note
Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.Keywords
- cultural heritage
- Youth
- participatory video
- Resistance
- Occupied Palestinian Territory
- Sumud
Themes
- Peace and Conflict
Fingerprint
Dive into the research topics of 'Re-connecting with cultural heritage: How participatory video enabled youth in Palestine to protect their cultural heritage'. Together they form a unique fingerprint.Projects
- 1 Finished
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On Our Land: Protecting Bedouin lived cultural heritage in the Occupied Palestinian Territories
Darweish, M. (Principal Investigator)
1/09/20 → 28/02/21
Project: Research
Research output
- 1 Article
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‘The Harvest is a Poem’: everyday practices as culture and resistance in the occupied Palestinian territory
Bröckerhoff, A., Sulin, L., Soliman, M. & Darweish, M., 9 May 2024, In: Journal of Resistance Studies. 10, 1, 26 p.Research output: Contribution to journal › Article › peer-review