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Proximate Spaces of Violence: Multidirectional Memory in Rachid Bouchareb's Days of Glory and Outside the Law

  • Alex Hastie

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    Rachid Bouchareb’s historical epics Indigènes (Days of Glory, 2006) and Hors-la-loi (Outside the Law, 2010) emerge at a crucial time in France, in which key questions about the place of France’s North African population have been asked. These films (re)imaginatively centre the histories of France’s colonial relationship with North Africa, particularly Algeria. Drawing upon Michael Rothberg’s theory of ‘multidirectional memory’, and postcolonial notions of ‘haunting’, this chapter examines Bouchareb’s films for the ways in which they produce a postcolonial memory that both feeds into and disrupts dominant geographical and historical imaginaries.
    Original languageEnglish
    Title of host publicationMemory and Postcolonial Studies
    Subtitle of host publicationSynergies and New Directions
    EditorsDirk Gottsche
    Place of PublicationOxford
    PublisherPeter Lang
    Pages255-274
    Number of pages19
    VolumeCultural Memories volume 9
    ISBN (Print)978-1-78874-478-2
    Publication statusPublished - May 2019

    Publication series

    NameCultural Memories
    PublisherPeter Lang

    UN SDGs

    This output contributes to the following UN Sustainable Development Goals (SDGs)

    1. SDG 16 - Peace, Justice and Strong Institutions
      SDG 16 Peace, Justice and Strong Institutions

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