@inbook{cace2c2b1d964b748529c64dfd701c44,
title = "Proximate Spaces of Violence: Multidirectional Memory in Rachid Bouchareb's Days of Glory and Outside the Law",
abstract = "Rachid Bouchareb{\textquoteright}s historical epics Indig{\`e}nes (Days of Glory, 2006) and Hors-la-loi (Outside the Law, 2010) emerge at a crucial time in France, in which key questions about the place of France{\textquoteright}s North African population have been asked. These films (re)imaginatively centre the histories of France{\textquoteright}s colonial relationship with North Africa, particularly Algeria. Drawing upon Michael Rothberg{\textquoteright}s theory of {\textquoteleft}multidirectional memory{\textquoteright}, and postcolonial notions of {\textquoteleft}haunting{\textquoteright}, this chapter examines Bouchareb{\textquoteright}s films for the ways in which they produce a postcolonial memory that both feeds into and disrupts dominant geographical and historical imaginaries. ",
author = "Alex Hastie",
year = "2019",
month = may,
language = "English",
isbn = "978-1-78874-478-2",
volume = "Cultural Memories volume 9",
series = "Cultural Memories",
publisher = "Peter Lang",
pages = "255--274",
editor = "Dirk Gottsche",
booktitle = "Memory and Postcolonial Studies",
address = "United States",
}