Projects, Precarity and the Ontology of Dance Works

Hetty Blades

doi:10.1017/S0149767719000056

Projects, Precarity and the Ontology of Dance Works

Hetty Blades

Faculty Research Centre for Dance Research (CDaRE)

Research output: Contribution to journal › Article

21 Downloads (Pure)

Abstract

Project based work is common within ‘precarious’ working contexts (Laermans 2015, Lorey in Puar 2012, Van Assche 2017). Within contemporary dance, short-term funding opportunities often result in the production of sharings, works-in-progress, and one-off performance events. This paper considers the relationship between the outputs of projects and the ontology of choreographic ‘works’. Drawing on Frédéric Pouillaude’s conception of choreographic works as both public and resistant ([2009] 2017), I examine entities produced through projects, which borrowing a term from choreographer Hamish MacPherson, I label these ‘work-sketches’. Furthermore, I reflect on the correlation between ‘immaterial labor’ (Lazzarato 1996, Hardt and Negri 2000) and the concept of the choreographic work, thinking-through the commodity-form of ‘work-sketches’ and probing the relationship between socio-economic contexts and dance work ontology.

Original language	English
Pages (from-to)	66-78
Number of pages	13
Journal	Dance Research Journal
Volume	51
Issue number	1
Early online date	23 Apr 2019
DOIs	https://doi.org/10.1017/S0149767719000056
Publication status	Published - Apr 2019

Bibliographical note

Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.

This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it.

Keywords

immaterial labor
ontology
precarity
projects
work-sketches

ASJC Scopus subject areas

Visual Arts and Performing Arts

Access to Document

10.1017/S0149767719000056

Blades_Projects_Precarity_Dance_Research_Journal_FinalAccepted author manuscript, 707 KB

Link to publication in Scopus

Fingerprint Dive into the research topics of 'Projects, Precarity and the Ontology of Dance Works'. Together they form a unique fingerprint.

Cite this

@article{87b86ab260d44c6fb1da0c7ffe21fd13,

title = "Projects, Precarity and the Ontology of Dance Works",

abstract = "Project based work is common within ‘precarious’ working contexts (Laermans 2015, Lorey in Puar 2012, Van Assche 2017). Within contemporary dance, short-term funding opportunities often result in the production of sharings, works-in-progress, and one-off performance events. This paper considers the relationship between the outputs of projects and the ontology of choreographic ‘works’. Drawing on Fr{\'e}d{\'e}ric Pouillaude’s conception of choreographic works as both public and resistant ([2009] 2017), I examine entities produced through projects, which borrowing a term from choreographer Hamish MacPherson, I label these ‘work-sketches’. Furthermore, I reflect on the correlation between ‘immaterial labor’ (Lazzarato 1996, Hardt and Negri 2000) and the concept of the choreographic work, thinking-through the commodity-form of ‘work-sketches’ and probing the relationship between socio-economic contexts and dance work ontology.",

keywords = "immaterial labor, ontology, precarity, projects, work-sketches",

author = "Hetty Blades",

note = "Copyright {\circledC} and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it.",

year = "2019",

month = "4",

doi = "10.1017/S0149767719000056",

language = "English",

volume = "51",

pages = "66--78",

journal = "Dance Research Journal",

issn = "0149-7677",

publisher = "Cambridge University Press",

number = "1",

}

TY - JOUR

T1 - Projects, Precarity and the Ontology of Dance Works

AU - Blades, Hetty

N1 - Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it.

PY - 2019/4

Y1 - 2019/4

N2 - Project based work is common within ‘precarious’ working contexts (Laermans 2015, Lorey in Puar 2012, Van Assche 2017). Within contemporary dance, short-term funding opportunities often result in the production of sharings, works-in-progress, and one-off performance events. This paper considers the relationship between the outputs of projects and the ontology of choreographic ‘works’. Drawing on Frédéric Pouillaude’s conception of choreographic works as both public and resistant ([2009] 2017), I examine entities produced through projects, which borrowing a term from choreographer Hamish MacPherson, I label these ‘work-sketches’. Furthermore, I reflect on the correlation between ‘immaterial labor’ (Lazzarato 1996, Hardt and Negri 2000) and the concept of the choreographic work, thinking-through the commodity-form of ‘work-sketches’ and probing the relationship between socio-economic contexts and dance work ontology.

AB - Project based work is common within ‘precarious’ working contexts (Laermans 2015, Lorey in Puar 2012, Van Assche 2017). Within contemporary dance, short-term funding opportunities often result in the production of sharings, works-in-progress, and one-off performance events. This paper considers the relationship between the outputs of projects and the ontology of choreographic ‘works’. Drawing on Frédéric Pouillaude’s conception of choreographic works as both public and resistant ([2009] 2017), I examine entities produced through projects, which borrowing a term from choreographer Hamish MacPherson, I label these ‘work-sketches’. Furthermore, I reflect on the correlation between ‘immaterial labor’ (Lazzarato 1996, Hardt and Negri 2000) and the concept of the choreographic work, thinking-through the commodity-form of ‘work-sketches’ and probing the relationship between socio-economic contexts and dance work ontology.

KW - immaterial labor

KW - ontology

KW - precarity

KW - projects

KW - work-sketches

UR - http://www.scopus.com/inward/record.url?scp=85064884982&partnerID=8YFLogxK

U2 - 10.1017/S0149767719000056

DO - 10.1017/S0149767719000056

M3 - Article

VL - 51

SP - 66

EP - 78

JO - Dance Research Journal

JF - Dance Research Journal

SN - 0149-7677

IS - 1

ER -