Postdigital Politics

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

In ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which movements such as the Extinction Rebellion and Black Lives Matter operate. I analyse how the traditional political opposition between ‘left’ and ‘right’ has been overlaid in many places around the world by that between populist nativism and elitist internationalism. I also discuss the way in which populist right-wing politicians (e.g., Boris Johnson, Donald Trump, Jair Bolsonaro) have used the possibilities created by postdigital media technologies to create a new model of political communications, one that is capable of overcoming the apparent disconnect between professional politicians and ‘the people’.

By way of response, I offer some suggestions as to how those of us who position ourselves on the left of the political spectrum can resist this political takeover by the populist authoritarian right. In other words, I show how the new postdigital communications can be used for more progressive purposes that are attuned to today’s changed political landscape. Among the illustrative examples provided will be some of the grassroots, bottom-up projects for the production of free resources, technical infrastructures and the commons that myself and some of those I collaborate with have developed over the last twenty years. Those projects include, but are not limited to: the open access journal Culture Machine (http://culturemachine.net); the publishing house Open Humanities Press (www.openhumanitiespress.org); the online publishing experiments Liquid Books (http://liquidbooks.pbwiki.com/) and Living Books About Life (http://www.livingbooksaboutlife.org/); the Radical Open Access Collective (http://radicaloa.disruptivemedia.org.uk); the Mandela27 DIY Exhibition (https://www.mandela27.com); the video-book after.video (http://www.openhumanitiespress.org/books/titles/after-video); COPIM (https://copim.pubpub.org/); and the Public Library: Memory of the World project (https://www.memoryoftheworld.org/blog/2015/05/27/repertorium_public_library).

By way of theoretical framing, I examine the particular mode of postdigital politics that underpins these initiatives. I will also foreground a number of operative concepts that help to shape them, with a special focus on anti-bourgeois theory.
Original languageEnglish
Title of host publicationAesthetics of the Commons
EditorsCornelia Sollfrank, Felix Stalder, Shusha Neiderberger
PublisherDiaphanes
Pages153-177
Number of pages24
ISBN (Print)978-3-0358-0345-7
Publication statusPublished - 8 Mar 2021

Publication series

NameInstitute for Contemporary Art Research Series, Zurich University of the Arts
Volume24

Keywords

  • Commons
  • Aesthetics
  • postdigital
  • postdigital culture
  • postdigital culture, digital culture, digital media
  • politics
  • Democracy
  • piracy
  • pirate philosophy
  • pirate philosophers

ASJC Scopus subject areas

  • Arts and Humanities(all)
  • Social Sciences(all)

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