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Post-Nordic-Noir landscapes: Competition through localisation in Finnish streaming media

    • University of Warwick

    Research output: Contribution to journalArticlepeer-review

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    Abstract

    This article discusses the ways locality and sense of place are used in the production and promotion of streaming media from small nations. We concentrate on location-related decisions behind Man in Room 301 (2019), a Finnish thriller series produced by VOD service Elisa Viihde Viaplay. While locality acts as a significant tool for Nordic Noir, a genre of film and TV characterised by a distinct ‘localised’ style, this article explores how the Finnish streaming industry is progressing towards a ‘post-Nordic-noir’ framework, a direction that focuses on an intense sense of place, both on the level of representation and production-related decisions.
    Original languageEnglish
    Pages (from-to)424-440
    Number of pages17
    JournalCritical Studies in Television: The International Journal of Television Studies
    Volume18
    Issue number4
    Early online date31 Oct 2022
    DOIs
    Publication statusPublished - Dec 2023

    Bibliographical note

    This is an open access article licensed under a Creative Commons Attribution 4.0 International License, which permits unrestricted use, distribution, and reproduction in any medium, even commercially as long as the original work is properly cited.

    Keywords

    • Nordic noir
    • finnish drama production
    • location
    • post-nordic-noir
    • streaming
    • television

    ASJC Scopus subject areas

    • Cultural Studies
    • Communication

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