Performance and the Partial

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

This article reflects on my experience of two performance works: Still Life (2018) by Hamish Macpherson and Papier mutliforme et Papier Comestible (2018) by Emilie Gallier, both of which cultivate partial experiences for the spectator. I consider how the partial nature of these works raise questions about what it means to access a choreographic work and rely on new ways of thinking about how we experience and analyse performance.
Original languageEnglish
Pages (from-to)249-268
JournalChoreographic Practices
Volume10
Issue number2
DOIs
Publication statusPublished - Dec 2019

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