Palestinian Poet-Singers: Celebration Under Israel’s Military Rule 1948–1966

Marwan Darweish; Craig Robertson

doi:10.1177/03043754211028368

Palestinian Poet-Singers: Celebration Under Israel’s Military Rule 1948–1966

Marwan Darweish, Craig Robertson

University of York

Research output: Contribution to journal › Article › peer-review

2 Citations (Scopus)

178 Downloads (Pure)

Abstract

Research about Palestinians in Israel during the period of military rule from 1948 to 1966 describes them as acquiescent and primarily focuses on the mechanisms of control imposed by Israel. This article examines the role played by improvised sung poetry in Palestinian weddings and social gatherings during this period, and it assesses the contribution that this situated art form made to asserting this community’s agency. Ḥaddā’ (male) and Badāaʿa (female) poet-singers are considered as agents of cultural resilience, songs as tools and weddings as sites of resilience and resistance for Palestinians who lived under Israeli military rule. Folk poetry performed by Ḥaddā’ and Badāaʿa is identified as a form of cultural resilience and resistance rooted in Palestinians’ cultural heritage. The data signal the persistence of resilience, dignity and rootedness in the land and identity, as well as demonstrating the risks of such resilience and of resistance actions.

Original language	English
Pages (from-to)	27-46
Number of pages	20
Journal	Alternatives: Global, Local, Political
Volume	46
Issue number	2
Early online date	9 Jul 2021
DOIs	https://doi.org/10.1177/03043754211028368
Publication status	E-pub ahead of print - 9 Jul 2021

Bibliographical note

Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.

Keywords

Israeli military rule
Palestinians in Israel
cultural resilience
poet-singer

ASJC Scopus subject areas

Sociology and Political Science
Political Science and International Relations

Access to Document

10.1177/03043754211028368

Post-PrintAccepted author manuscript, 629 KBLicence: CC BY-NC-ND

Cite this

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abstract = "Research about Palestinians in Israel during the period of military rule from 1948 to 1966 describes them as acquiescent and primarily focuses on the mechanisms of control imposed by Israel. This article examines the role played by improvised sung poetry in Palestinian weddings and social gatherings during this period, and it assesses the contribution that this situated art form made to asserting this community{\textquoteright}s agency. Ḥaddā{\textquoteright} (male) and Badāaʿa (female) poet-singers are considered as agents of cultural resilience, songs as tools and weddings as sites of resilience and resistance for Palestinians who lived under Israeli military rule. Folk poetry performed by Ḥaddā{\textquoteright} and Badāaʿa is identified as a form of cultural resilience and resistance rooted in Palestinians{\textquoteright} cultural heritage. The data signal the persistence of resilience, dignity and rootedness in the land and identity, as well as demonstrating the risks of such resilience and of resistance actions.",

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AB - Research about Palestinians in Israel during the period of military rule from 1948 to 1966 describes them as acquiescent and primarily focuses on the mechanisms of control imposed by Israel. This article examines the role played by improvised sung poetry in Palestinian weddings and social gatherings during this period, and it assesses the contribution that this situated art form made to asserting this community’s agency. Ḥaddā’ (male) and Badāaʿa (female) poet-singers are considered as agents of cultural resilience, songs as tools and weddings as sites of resilience and resistance for Palestinians who lived under Israeli military rule. Folk poetry performed by Ḥaddā’ and Badāaʿa is identified as a form of cultural resilience and resistance rooted in Palestinians’ cultural heritage. The data signal the persistence of resilience, dignity and rootedness in the land and identity, as well as demonstrating the risks of such resilience and of resistance actions.

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ER -

Palestinian Poet-Singers: Celebration Under Israel’s Military Rule 1948–1966

Abstract

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

Other files and links

Fingerprint

National Alternative Remembrance Ceremony

British International Studies Association International Conference 2022

Alternatives: Global, Local, Political (Journal)

‘The Harvest is a Poem’: everyday practices as culture and resistance in the occupied Palestinian territory

الزجاله الفلسطينيون: الإحتفال في ظل الحكم العسكري الإسرائيلي 1948-1966

This Is Our Home: Everyday Resistance of the Palestinians in Israel 1948-66

Cite this

Palestinian Poet-Singers: Celebration Under Israel’s Military Rule 1948–1966

Abstract

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

Other files and links

Fingerprint

Activities

National Alternative Remembrance Ceremony

British International Studies Association International Conference 2022

Alternatives: Global, Local, Political (Journal)

Research output

‘The Harvest is a Poem’: everyday practices as culture and resistance in the occupied Palestinian territory

الزجاله الفلسطينيون: الإحتفال في ظل الحكم العسكري الإسرائيلي 1948-1966

This Is Our Home: Everyday Resistance of the Palestinians in Israel 1948-66

Cite this