Abstract
Obstinate memory is an insistent resource for communities. Migrant Media advocates the methodology of a “documentary of force” as a research tool for filmmakers and academics. As a U.K.-based collective of filmmaker-activists involved in community struggles, Migrant Media’s resistance-based work uses cameras and screens to challenge racism and police violence. Drawing on film documentary history from figures as diverse as Dziga Vertov, Jean-Luc Godard, Black Audio Film Collective, and Third Cinema, the Migrant Media story is revealed through attempts to ban the 2001 film Injustice and a more recent series filmed with nurses during the coronavirus pandemic. We suggest some directions for further research at the end.
| Original language | English |
|---|---|
| Pages (from-to) | 240-250 |
| Number of pages | 11 |
| Journal | Cultural Studies ↔ Critical Methodologies |
| Volume | 24 |
| Issue number | 4 |
| Early online date | 15 May 2024 |
| DOIs | |
| Publication status | Published - Aug 2024 |
Bibliographical note
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Keywords
- memory
- documentary
- injustice
- obstinacy
- police
