Abstract
A brief article/provocation to highlight the manner in which the work of Monika Pagneux had been marginalised in relation to other French actor trainers.
Original language | English |
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Pages (from-to) | 324-326 |
Number of pages | 3 |
Journal | Theatre, Dance and Performance Training |
Volume | 11 |
Issue number | 3 |
DOIs | |
Publication status | Published - 4 Sept 2020 |
Bibliographical note
This is an Accepted Manuscript version of the following article, accepted forpublication in Theatre, Dance and Performance Training (TDPT), vol. 11, no. 3, pp.
324-326. https://doi.org/10.1080/19443927.2020.1788275
It is deposited under the terms of the Creative Commons AttributionNonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited
ASJC Scopus subject areas
- Visual Arts and Performing Arts