TY - JOUR
T1 - Measuring Up
T2 - The Greek Analogies Behind Vitruvius' Geometry of the Body
AU - Anderson, Daniel
N1 - This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
PY - 2023/12
Y1 - 2023/12
N2 - Vitruvius’ book is chock full of bodies. It is by means of his oiled body that Dinocrates gains an audience with Alexander (2.praef.1), and by means of his naked one, and the equivalent body of water that it displaces, that Archimedes solves his well-known quandary (9.praef.9f.). The body is a living, vital thing (7.praef.2f.), even as it is a book, a body of work (7.praef.10), arising from a body of education (1.1.12). Most important of all, Vitruvius outlines a ‘body of architecture’ (corpus architecturae, 6.praef.7) to propagate and extend the reach of the deified Augustus, commander-in-chief (1.praef.1), and this idea arguably gives rise to that of the ‘body politic’ (corpus imperii). Vitruvius’ text has been interpreted in terms of these bodies in important studies by Indra Kagis McEwen and John Oksanish; both authors treat the body as replete with meaning, the site of contact between architecture and the political, between text and author. This chapter adds to our understanding of the repertoire of bodies in Vitruvius by looking at those earlier incarnations of circular and square bodies which Vitruvius inherits, and in terms of which he construes the human body as a site of ideal proportions.
AB - Vitruvius’ book is chock full of bodies. It is by means of his oiled body that Dinocrates gains an audience with Alexander (2.praef.1), and by means of his naked one, and the equivalent body of water that it displaces, that Archimedes solves his well-known quandary (9.praef.9f.). The body is a living, vital thing (7.praef.2f.), even as it is a book, a body of work (7.praef.10), arising from a body of education (1.1.12). Most important of all, Vitruvius outlines a ‘body of architecture’ (corpus architecturae, 6.praef.7) to propagate and extend the reach of the deified Augustus, commander-in-chief (1.praef.1), and this idea arguably gives rise to that of the ‘body politic’ (corpus imperii). Vitruvius’ text has been interpreted in terms of these bodies in important studies by Indra Kagis McEwen and John Oksanish; both authors treat the body as replete with meaning, the site of contact between architecture and the political, between text and author. This chapter adds to our understanding of the repertoire of bodies in Vitruvius by looking at those earlier incarnations of circular and square bodies which Vitruvius inherits, and in terms of which he construes the human body as a site of ideal proportions.
UR - http://www.scopus.com/inward/record.url?scp=85195205096&partnerID=8YFLogxK
U2 - 10.1017/rmu.2024.3
DO - 10.1017/rmu.2024.3
M3 - Article
SN - 0048-671X
VL - 52
SP - 121
EP - 136
JO - Ramus: Critical Studies in Greek and Roman Literature
JF - Ramus: Critical Studies in Greek and Roman Literature
IS - 2
ER -