Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage

Sarah Whatley

Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Abstract

Since the turn of the millennium we have witnessed the beginnings of a growing number of projects that bring fresh attention to questions surrounding the documentation and dissemination of the processes and products of dance and wider performance practices. New kinds of digital inscriptions and tools for capturing and rendering movement are now available to access and study dance in innovative ways, raising questions about authorship and the extent to which dance is an evolving, mutable process mediated via many different encounters.

Original language	English
Title of host publication	The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real
Editors	M. Causey, E. Meehan, N. O'Dwyer
Place of Publication	Basingstoke
Publisher	Palgrave Macmillan
Chapter	6
Pages	82-98
Number of pages	17
ISBN (Print)	9781137438157
Publication status	Published - 2015

Bibliographical note

Due to the publisher's policy, the full text of this item will not be available from the repository until July 2018.

Keywords

dance
digital technologies
cultural heritage
choreography

Access to Document

http://www.palgrave.com/page/detail/the-performing-subject-in-the-space-of-technology/?k=9781137438157&loc=uk

Cite this

Whatley, S. (2015). Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage. In M. Causey, E. Meehan, & N. O'Dwyer (Eds.), The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real (pp. 82-98). Palgrave Macmillan. http://www.palgrave.com/page/detail/the-performing-subject-in-the-space-of-technology/?k=9781137438157&loc=uk

Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage. / Whatley, Sarah.

The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. ed. / M. Causey; E. Meehan; N. O'Dwyer. Basingstoke : Palgrave Macmillan, 2015. p. 82-98.

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

Whatley, S 2015, Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage. in M Causey, E Meehan & N O'Dwyer (eds), The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. Palgrave Macmillan, Basingstoke, pp. 82-98. <http://www.palgrave.com/page/detail/the-performing-subject-in-the-space-of-technology/?k=9781137438157&loc=uk>

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Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage

Abstract

Bibliographical note

Keywords

Access to Document

Other files and links

Fingerprint

Sarah Whatley

Cite this

Materiality, immateriality and the dancing body; the challenge of the inter in the preservation of intangible cultural heritage

Abstract

Bibliographical note

Keywords

Access to Document

Other files and links

Fingerprint

Profiles

Sarah Whatley

Cite this