Abstract
Two long-term sci-art research projects are described and positioned in the broader conceptual landscape of interdisciplinary collaboration. Both projects were aimed at understanding and augmenting choreographic decision-making and both were grounded in research conducted within a leading contemporary dance company. In each case, the work drew upon methods and theory from the cognitive sciences, and both had a direct impact on the way in which the company made new work. In the synthesis presented here the concept of an audit trace is introduced. Audit traces identify how specific classes of knowledge are used and transformed not only within the arts or sciences but also when arts practice is informed by science or when arts practice informs science.
| Original language | English |
|---|---|
| Pages (from-to) | 359-380 |
| Number of pages | 22 |
| Journal | Interdisciplinary Science Reviews |
| Volume | 42 |
| Issue number | 4 |
| Early online date | 15 Dec 2017 |
| DOIs | |
| Publication status | Published - 2017 |
Bibliographical note
Publisher Statement: This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.Keywords
- Interdisciplinary collaboration
- long-term projects
- contemporary dance
- cognitive sciences
- audit trace
