Long Form Improvisation, Feedback Loops and Cybernetics - A discussion of trans-disciplinary performance practice

Glenn Noble; Daren Pickles

Long Form Improvisation, Feedback Loops and Cybernetics - A discussion of trans-disciplinary performance practice

Research output: Contribution to journal › Article

Abstract

This is an edited and augmented transcript of a critically reflective discussion following performance-based research into the integration of theatre and dance improvisation practices and audible performance ecosystems. We discuss how the live work adheres to Cybernetic principals and how material is generated via this 'system of feedback' between the performers, technology, spectators and the environment. The discussion considers 'ex nihilo' creative methods and how 'meaning' is formed, drawing upon Marshal McLuhan's hypothesis concerning the 'post-literate society'. The ontological perspective is considered in reference to Martin Heidegger's essay 'The question concerning technology'.

Original language	English
Journal	Body, Space and Technology
Volume	14
Publication status	Published - 2014

Bibliographical note

The full text is available from: http://people.brunel.ac.uk/bst/vol14/

Access to Document

http://people.brunel.ac.uk/bst/vol14/

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1 Participation in conference

INTIME 2015 Landscapes and Environments: Experimentation and Transformation in Sound and Music
Daren Pickles (Co-convenor)
24 Oct 2015 → 25 Oct 2015
Activity: Participating in or organising an event › Participation in conference

1 Conference proceeding

Cybernetic principles and sonic ecosystems
Pickles, D. & Collis, A., 2016, Proceedings of the International Computer Music Conference 2016. International Computer Music Association, Vol. 2016. p. 529-532 4 p.
Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding › peer-review

Open Access
File

Daren Pickles
- School of Media and Performing Arts - Associate Head of School - Recruitment & Marketing
Person: Teaching and Research

Cite this

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abstract = "This is an edited and augmented transcript of a critically reflective discussion following performance-based research into the integration of theatre and dance improvisation practices and audible performance ecosystems. We discuss how the live work adheres to Cybernetic principals and how material is generated via this 'system of feedback' between the performers, technology, spectators and the environment. The discussion considers 'ex nihilo' creative methods and how 'meaning' is formed, drawing upon Marshal McLuhan's hypothesis concerning the 'post-literate society'. The ontological perspective is considered in reference to Martin Heidegger's essay 'The question concerning technology'.",

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AB - This is an edited and augmented transcript of a critically reflective discussion following performance-based research into the integration of theatre and dance improvisation practices and audible performance ecosystems. We discuss how the live work adheres to Cybernetic principals and how material is generated via this 'system of feedback' between the performers, technology, spectators and the environment. The discussion considers 'ex nihilo' creative methods and how 'meaning' is formed, drawing upon Marshal McLuhan's hypothesis concerning the 'post-literate society'. The ontological perspective is considered in reference to Martin Heidegger's essay 'The question concerning technology'.

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Long Form Improvisation, Feedback Loops and Cybernetics - A discussion of trans-disciplinary performance practice

Abstract

Bibliographical note

Access to Document

INTIME 2015 Landscapes and Environments: Experimentation and Transformation in Sound and Music

Cybernetic principles and sonic ecosystems

Daren Pickles

Cite this