Activities per year
Abstract
This is an edited and augmented transcript of a critically reflective discussion following performance-based research into the integration of theatre and dance improvisation practices and audible performance ecosystems. We discuss how the live work adheres to Cybernetic principals and how material is generated via this 'system of feedback' between the performers, technology, spectators and the environment. The discussion considers 'ex nihilo' creative methods and how 'meaning' is formed, drawing upon Marshal McLuhan's hypothesis concerning the 'post-literate society'. The ontological perspective is considered in reference to Martin Heidegger's essay 'The question concerning technology'.
| Original language | English |
|---|---|
| Journal | Body, Space and Technology |
| Volume | 14 |
| Publication status | Published - 2014 |
Bibliographical note
The full text is available from: http://people.brunel.ac.uk/bst/vol14/Fingerprint Dive into the research topics of 'Long Form Improvisation, Feedback Loops and Cybernetics - A discussion of trans-disciplinary performance practice'. Together they form a unique fingerprint.
Activities
- 1 Participation in conference
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INTIME 2015 Landscapes and Environments: Experimentation and Transformation in Sound and Music
Daren Pickles (Co-convenor)
24 Oct 2015 → 25 Oct 2015Activity: Participating in or organising an event › Participation in conference
Research output
- 1 Conference proceeding
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Cybernetic principles and sonic ecosystems
Pickles, D. & Collis, A., 2016, Proceedings of the International Computer Music Conference 2016. International Computer Music Association, Vol. 2016. p. 529-532 4 p.Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding › peer-review
Open AccessFile
Profiles
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Daren Pickles
- School of Media and Performing Arts - Associate Head of School - Recruitment & Marketing
Person: Teaching and Research