Abstract
Who authors and who owns (the) dance? This article explores those questions within the context of two case studies: one a recasting of Love Games, and the other called The Two Fridas. Both feature the choreographer and dance artist Caroline Bowditch. In our contribution we seek not only to address the legal questions, but also to confront concerns around the legacy of the Unlimited Cultural Olympiad Programme, and to challenge the reader in relation to any prejudices that may exist in relation to this genre.
| Original language | English |
|---|---|
| Pages (from-to) | 217-228 |
| Journal | European Intellectual Property Review |
| Volume | 36 |
| Issue number | 4 |
| Publication status | Published - 2014 |
Bibliographical note
This is a pre-copyedited, author-produced version of an article accepted for publication in European Intellectual Property Review following peer review. The definitive published version: Waelde, C. , Whatley, S. and Pavis, M. (2014) Let's Dance! But who owns it?. European Intellectual Property Review, volume 36 (4): 217-228 is available online on Westlaw UK or from Thomson Reuters DocDel service. An unrestricted non-commercial use license applies (CC BY NC) https://creativecommons.org/licenses/by-nc/4.0/ .Keywords
- Authorship
- Copyright
- Dance
- Disabled persons
- Performers
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Charlotte Waelde
- Research Centre for Dance Research - Professor of Intellectual Property Law
Person: Teaching and Research