Krzysztof Zanussi’s co-productions as a challenge to the notion of national cinema

This volume introduces a novel treatment of Polish cinema by discussing its international reception, performance, co-productions, and subversive émigré auteurs, such as Andrzej Zulawski and Walerian Borowczyk.
The opening up of Poland economically and politically to global influences after the fall of the Berlin Wall in 1989, coupled with the rise of transnational approaches to the study of film, presents ideal conditions for examining Polish cinema from a transnational vantage point. Yet not only have studies of Polish cinema remained largely within a national framework but Polish cinema, as well as many other Eastern European cinemas, has been virtually excluded from new research in transnational cinema.