Introduction

Marie-Louise Clare Crawley; Katerina Paramana; Imogen Racz; Sarah Whatley

doi:10.1007/978-3-030-44085-5_1

Introduction

Marie-Louise Clare Crawley, Katerina Paramana, Imogen Racz, Sarah Whatley

Brunel University

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Abstract

This chapter provides a detailed contextualising for the book, situating the collection in a broad theoretical and historical framework. It references the meetings that brought together experts in dance and visual arts, which led to the book. The discussion outlines the two main themes in the book that are explored by the writers-the subjective, lived relations with objects and the social sphere, and the different approaches to absence, visibility and resistance. Drawing on diverse theories and viewpoints, the introduction outlines each chapter, describing how the writers open up new thinking about dance and visual art, and the connections between each discipline’s discourses and practices.

Original language	English
Title of host publication	Art and Dance in Dialogue
Subtitle of host publication	Body, Space, Object
Editors	Sarah Whatley, Imogen Racz, Katerina Paramana, Marie-Louise Crawley
Publisher	Palgrave
Chapter	1
Pages	1-15
Number of pages	15
Edition	1
ISBN (Electronic)	978-3-030-44085-5
ISBN (Print)	978-3-030-44084-8
DOIs	https://doi.org/10.1007/978-3-030-44085-5_1
Publication status	E-pub ahead of print - 8 Nov 2020

Bibliographical note

Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.

Keywords

Bodies
Dance
Memory
Object
Space
Visual art

ASJC Scopus subject areas

General Arts and Humanities

Access to Document

10.1007/978-3-030-44085-5_1

Post-PrintAccepted author manuscript, 736 KB

Cite this

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note = "Copyright {\textcopyright} and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. ",

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AU - Crawley, Marie-Louise Clare

AU - Paramana, Katerina

AU - Racz, Imogen

AU - Whatley, Sarah

N1 - Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.

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N2 - This chapter provides a detailed contextualising for the book, situating the collection in a broad theoretical and historical framework. It references the meetings that brought together experts in dance and visual arts, which led to the book. The discussion outlines the two main themes in the book that are explored by the writers-the subjective, lived relations with objects and the social sphere, and the different approaches to absence, visibility and resistance. Drawing on diverse theories and viewpoints, the introduction outlines each chapter, describing how the writers open up new thinking about dance and visual art, and the connections between each discipline’s discourses and practices.

AB - This chapter provides a detailed contextualising for the book, situating the collection in a broad theoretical and historical framework. It references the meetings that brought together experts in dance and visual arts, which led to the book. The discussion outlines the two main themes in the book that are explored by the writers-the subjective, lived relations with objects and the social sphere, and the different approaches to absence, visibility and resistance. Drawing on diverse theories and viewpoints, the introduction outlines each chapter, describing how the writers open up new thinking about dance and visual art, and the connections between each discipline’s discourses and practices.

KW - Bodies

KW - Dance

KW - Memory

KW - Object

KW - Space

KW - Visual art

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EP - 15

BT - Art and Dance in Dialogue

A2 - Whatley, Sarah

A2 - Racz, Imogen

A2 - Paramana, Katerina

A2 - Crawley, Marie-Louise

PB - Palgrave

ER -

Introduction

Abstract

Bibliographical note

Keywords

ASJC Scopus subject areas

Access to Document

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Art and Dance in Dialogue: Body, Space, Object

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