Henry VR

Andrew Yip; Paula  Dredge; Simon  Ives; Anne  Gerard-Austin

Henry VR

Andrew Yip, Paula Dredge, Simon Ives, Anne Gerard-Austin

Research output: Other contribution › peer-review

Abstract

Journey deep inside a Tudor painting to explore the hidden life of a king’s portrait, and the workshop of the artists who created it. After a detailed technical study and extensive conservation treatment, the Gallery’s 16th-century portrait of Henry VIII will be shown for the first time in decades, returning to star in a ground-breaking virtual-reality display in the heart of our European galleries. A network of information has been visualised so that you can investigate Henry’s world. Through the wonders of particle accelerators and scanning electron microscopes, virtual objects and elemental maps, the painting’s materials start to reveal the artwork’s social and historical context, allowing unprecedented insights into a work that emerged at the very birth of modern portrait painting.

Original language	English
Type	Exhibition curatorship, immersive installation design
Media of output	Curatorial output, virtual reality installation
Publisher	Art Gallery of New South Wales
Publication status	Published - 2018

Keywords

Art History
Virtual Reality
Immersive Visualisation
Henry VIII
Art Gallery of New South Wales

ASJC Scopus subject areas

Museology
Visual Arts and Performing Arts
Arts and Humanities (miscellaneous)
Conservation

Cite this

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title = "Henry VR",

abstract = "Journey deep inside a Tudor painting to explore the hidden life of a king{\textquoteright}s portrait, and the workshop of the artists who created it. After a detailed technical study and extensive conservation treatment, the Gallery{\textquoteright}s 16th-century portrait of Henry VIII will be shown for the first time in decades, returning to star in a ground-breaking virtual-reality display in the heart of our European galleries. A network of information has been visualised so that you can investigate Henry{\textquoteright}s world. Through the wonders of particle accelerators and scanning electron microscopes, virtual objects and elemental maps, the painting{\textquoteright}s materials start to reveal the artwork{\textquoteright}s social and historical context, allowing unprecedented insights into a work that emerged at the very birth of modern portrait painting.",

keywords = "Art History, Virtual Reality, Immersive Visualisation, Henry VIII, Art Gallery of New South Wales",

author = "Andrew Yip and Paula Dredge and Simon Ives and Anne Gerard-Austin",

year = "2018",

language = "English",

publisher = "Art Gallery of New South Wales",

address = "Australia",

type = "Other",

}

TY - GEN

T1 - Henry VR

AU - Yip, Andrew

AU - Dredge, Paula

AU - Ives, Simon

AU - Gerard-Austin, Anne

PY - 2018

Y1 - 2018

N2 - Journey deep inside a Tudor painting to explore the hidden life of a king’s portrait, and the workshop of the artists who created it. After a detailed technical study and extensive conservation treatment, the Gallery’s 16th-century portrait of Henry VIII will be shown for the first time in decades, returning to star in a ground-breaking virtual-reality display in the heart of our European galleries. A network of information has been visualised so that you can investigate Henry’s world. Through the wonders of particle accelerators and scanning electron microscopes, virtual objects and elemental maps, the painting’s materials start to reveal the artwork’s social and historical context, allowing unprecedented insights into a work that emerged at the very birth of modern portrait painting.

AB - Journey deep inside a Tudor painting to explore the hidden life of a king’s portrait, and the workshop of the artists who created it. After a detailed technical study and extensive conservation treatment, the Gallery’s 16th-century portrait of Henry VIII will be shown for the first time in decades, returning to star in a ground-breaking virtual-reality display in the heart of our European galleries. A network of information has been visualised so that you can investigate Henry’s world. Through the wonders of particle accelerators and scanning electron microscopes, virtual objects and elemental maps, the painting’s materials start to reveal the artwork’s social and historical context, allowing unprecedented insights into a work that emerged at the very birth of modern portrait painting.

KW - Art History

KW - Virtual Reality

KW - Immersive Visualisation

KW - Henry VIII

KW - Art Gallery of New South Wales

UR - https://www.artgallery.nsw.gov.au/exhibitions/henry-vr/

UR - http://www.andrewyip.org/?p=2144

M3 - Other contribution

PB - Art Gallery of New South Wales

ER -

Henry VR

Abstract

Keywords

ASJC Scopus subject areas

Other files and links

Fingerprint

Henry VR: Designing Affect-Oriented Virtual Reality Exhibitions for Art Museums

Mapping Henry: Synchrotron-Sourced X-Ray Fluorescence Mapping and Ultra-High Definition Scanning of an Early Tudor Portrait of Henry VIII

Cite this