Everything is at once: Reflections on embodied photography and collaborative process

Niki Pollard, Natalie Garrett Brown, Christian Kipp, Amy Voris

    Research output: Contribution to journalArticle

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    Abstract

    In discussion with his co-collaborators, dance artists Natalie Garrett Brown and Amy Voris, this interview explores the photographic process of Christian Kipp, landscape and dance photographer, as he reflects on his experience of working on the Enter & Inhabit project. The questions asked by Garrett Brown and Voris were generated through movement and reflective writing in response to the photographic collection exhibited as part of the 2011 Dance and Somatic Practices Conference, Coventry, UK. In particular, the article explores the interrelationship between the somatic-informed movement practices and performance score creation of Garrett Brown and Voris and the sensorial play of Kipp’s photography. Co-authored by Garrett Brown, Kipp and Voris, this collection of questions and responses seeks to continue rather than merely document the Enter & Inhabit collaborative process.
    Original languageEnglish
    Pages (from-to)75-84
    JournalJournal of Dance & Somatic Practices
    Volume3
    Issue number1-2
    DOIs
    Publication statusPublished - Apr 2012

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    Photography
    Dance
    Collaborators
    Reflective Writing
    Interrelationship
    Artist
    Coventry
    Photographic Process

    Keywords

    • photography
    • environment
    • embodiment
    • collaboration
    • performance
    • Body-Mind Centering®

    Cite this

    Everything is at once: Reflections on embodied photography and collaborative process. / Pollard, Niki; Garrett Brown, Natalie; Kipp, Christian; Voris, Amy.

    In: Journal of Dance & Somatic Practices, Vol. 3, No. 1-2, 04.2012, p. 75-84.

    Research output: Contribution to journalArticle

    Pollard, Niki ; Garrett Brown, Natalie ; Kipp, Christian ; Voris, Amy. / Everything is at once: Reflections on embodied photography and collaborative process. In: Journal of Dance & Somatic Practices. 2012 ; Vol. 3, No. 1-2. pp. 75-84.
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