Dwelling the Open:  Amos Gitai and the Home of Cinema

Miriam De Rosa

Dwelling the Open:  Amos Gitai and the Home of Cinema

Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

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Abstract

The chapter draws upon a selection of works from Israeli filmmaker Amos Gitai. Following his trajectory from theatrical films to installation pieces, the text addresses the spatial turn in film studies showing how this serves as a key shift in thinking space as it is represented on the big screen as well as it is built through the moving images in the museum. The concept of the home is employed as a figure to study spatiality in association with belonging and subjectivity, and it is taken as a cue to develop a reflection on the medium specificity of moving images as they enter art spaces.

Original language	English
Title of host publication	Film and Domestic Space
Editors	Stefano Baschiera, Miriam De Rosa
Place of Publication	Edinburgh
Publisher	Edinburgh University Press
Chapter	11
Pages	188-209
Number of pages	21
Edition	1
ISBN (Print)	9781474428927
Publication status	Published - 31 May 2020

Keywords

Film Theory, Performance Studies, Moving Image Studies, Aesthetics,
postcinema
video installation
home
space

Access to Document

Dwelling The OpenFinal published version, 13.2 MBLicence: GNU LGPL

Cite this

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title = "Dwelling the Open:  Amos Gitai and the Home of Cinema",

abstract = "The chapter draws upon a selection of works from Israeli filmmaker Amos Gitai. Following his trajectory from theatrical films to installation pieces, the text addresses the spatial turn in film studies showing how this serves as a key shift in thinking space as it is represented on the big screen as well as it is built through the moving images in the museum. The concept of the home is employed as a figure to study spatiality in association with belonging and subjectivity, and it is taken as a cue to develop a reflection on the medium specificity of moving images as they enter art spaces.",

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AB - The chapter draws upon a selection of works from Israeli filmmaker Amos Gitai. Following his trajectory from theatrical films to installation pieces, the text addresses the spatial turn in film studies showing how this serves as a key shift in thinking space as it is represented on the big screen as well as it is built through the moving images in the museum. The concept of the home is employed as a figure to study spatiality in association with belonging and subjectivity, and it is taken as a cue to develop a reflection on the medium specificity of moving images as they enter art spaces.

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KW - video installation

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KW - space

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Dwelling the Open:  Amos Gitai and the Home of Cinema

Abstract

Keywords

Access to Document

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Film and Domestic Space: Architectures, Representations, Dispositif

Miriam De Rosa

Cite this

Dwelling the Open: Amos Gitai and the Home of Cinema

Abstract

Keywords

Access to Document

Other files and links

Fingerprint

Research output

Film and Domestic Space: Architectures, Representations, Dispositif

Profiles

Miriam De Rosa

Cite this

Dwelling the Open:  Amos Gitai and the Home of Cinema