Digital Preservation of Dance, Inclusion and Absence

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

Digital technologies have introduced a raft of opportunities for novel modes of dance documentation and preservation. More particularly, digital tools have been developed that have offered dance scholars and artists opportunities to develop new modes of dance visualization and transmission, creating new ways to access dance content and in turn provide new insights to dance, and its compositional and relational properties. This chapter examines three digital dance resources that have emerged in recent years; Siobhan Davies RePlay, Digital Dance Archives and Synchronous Objects, and will draw on a series of interviews with dance practitioners and researchers who have worked long-term with technologies, to explore what it is that is preserved and for whom, the nature of the documents or ‘objects’ that are created, the role of the spectator, viewer or ‘user’ in the construction and preservation of dance, and how digital methods disrupt the temporal properties of the dance ‘event’. The chapter seeks to argue that the opportunity afforded by digital technologies to access the hidden processes of dance creation, shows how these digital artefacts become new kinds of records of performance.
Original languageEnglish
Title of host publicationThe Routledge Companion to Dance Studies
EditorsHelen Thomas, Stacey Prickett
PublisherRoutledge
Chapter22
Pages311-322
Number of pages12
Edition1
ISBN (Electronic)9781315306551
ISBN (Print)9781138234581
Publication statusPublished - 18 Nov 2019

Fingerprint Dive into the research topics of 'Digital Preservation of Dance, Inclusion and Absence'. Together they form a unique fingerprint.

  • Cite this

    Whatley, S. (2019). Digital Preservation of Dance, Inclusion and Absence. In H. Thomas, & S. Prickett (Eds.), The Routledge Companion to Dance Studies (1 ed., pp. 311-322). Routledge.