Digital Feeling

Adrienne Evans, Sarah Riley

Research output: Book/ReportBookpeer-review


This book offers a trailblazing account of postfeminist sensibility as a digital feeling. It explores how we feel when the digital has become intertwined with our intimate relationships to ourselves and to others. The book develops a novel approach that draws on feminist theories of affect, emotion, and structures of feeling, to analyse the entanglements of the digital and the non-digital, and the public and the private, and to show how good feeling shapes a contemporary moment that often leads us back to normativity and reproduces systemic inequality. Each chapter offers an original analysis of an assemblage of instances that provide a snapshot of our current emotional landscapes.
Original languageEnglish
PublisherPalgrave Macmillan
Number of pages172
ISBN (Electronic)978-3-031-23562-7
ISBN (Print)978-3-031-23561-0, 978-3-031-23564-1
Publication statusPublished - 3 Mar 2023

Bibliographical note

© The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2023 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifcally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microflms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations


  • digital culture
  • postfeminism
  • postdigital culture
  • affect studies
  • digital intimacy
  • gender and digital culture
  • postfeminist sensibility


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