Abstract
Demonstrating that it is upper- and middle-class, privately educated, Oxbridge graduates who receive the majority of funding and support when it comes to the creative industries in the UK, Defund Culture argues powerfully that resources and opportunities should be disinvested from the cultural sphere as it exists now, and redistributed to other sections of society, in order to generate art, media and creativity that is more diverse and less boring, homogeneous and anti-intellectual.
| Original language | English |
|---|---|
| Place of Publication | Pennsylvania |
| Publisher | Media Studies Press |
| Number of pages | 98 |
| Edition | 1 |
| ISBN (Electronic) | 978-1-951399-42-9, 978-1-951399-41-2 |
| ISBN (Print) | 978-1-951399-43-6, 978-1-951399-40-5 |
| DOIs | |
| Publication status | Published - Jan 2026 |
Bibliographical note
This is an open access book, licensed under the Collective Conditions for Re-Use(CC4r). You are invited to copy, distribute, and transform the materials published
under these conditions, which means to take the implications of (re-)use into ac
count.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 1 No Poverty
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SDG 4 Quality Education
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SDG 5 Gender Equality
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SDG 8 Decent Work and Economic Growth
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SDG 10 Reduced Inequalities
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SDG 12 Responsible Consumption and Production
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- white
- male
- class
- culture war
ASJC Scopus subject areas
- Arts and Humanities(all)
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