Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies

    Research output: Contribution to journalArticlepeer-review

    Abstract

    Choreographers regularly make revisions to their work. Revisions that are made are sometimes significant and can radically alter the dance whilst other changes may be almost invisible to the viewer. In the case of Siobhan Davies, revising dances has become a regular feature of her work. This paper represents a case study, which is designed to shed some further light on this process.
    Original languageEnglish
    Pages (from-to)87-105
    JournalDance Research
    Volume23
    Issue number2
    DOIs
    Publication statusPublished - 2005

    Bibliographical note

    This article is not available on the repository

    Fingerprint

    Dive into the research topics of 'Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies'. Together they form a unique fingerprint.

    Cite this