@inbook{0efcdecdaea246d095be0f064e4a038d,
title = "Dance, Disability, and Keeping “In Time” on Strictly",
abstract = "Dance artists with disabilities are frequently subject to media representations that transmit numerous “messages” about the work performed. This chapter focuses on the appearance of UK dance company Candoco on a televisual spectacle, Strictly Come Dancing in 2018 and explores how their appearance opens questions about temporality, and specifically crip time . In this chapter, Whatley argues that their performance is a reminder that diverse and atypical bodies should deter us from essentialising particular ways of moving and being moved, and that the event simultaneously reveals and masks the political, ethical, and aesthetic dimensions of differing temporalities that shape disability performance.",
author = "Sarah Whatley",
note = "Copyright {\textcopyright} and Moral Rights are retained by the author(s) and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. ",
year = "2023",
month = jul,
day = "10",
doi = "10.4324/9781003271154-8",
language = "English",
isbn = "9781032220949",
series = "Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance",
publisher = "Routledge",
pages = "61--78",
editor = "Backhausen, {Elena } and Wihstutz, {Benjamin } and Noa Winter",
booktitle = "Out of Time?",
address = "United States",
edition = "1",
}