Cutting up conference papers: audience participation in breaking as making

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    In September 2005 I broke my wrist very badly and shortly afterwards
    my hand and then, in February 2006, some ribs. In May 2006 I broke
    my collarbone, which I broke again in both June and August, it took me
    until the following Easter 2007 to recover. Consequently during this time
    I was not able to continue with the sculpture I had been making and
    when I did return to making sculpture I found I could only relate to my
    previous work by breaking it. Following this my artwork shifted towards a
    focus on breaking and there is no doubt my experience of breaking bones
    influenced this.

    Breaking is the main theme running through my work but it arises in
    many different contexts and I deal with it on different planes. My research
    simultaneously explores and draws parallels between personal experiences
    in life: breaking bones, making/breaking sculpture and philosophical
    concepts of the break. Throughout my doctoral research I sought to reflect
    the approach of my artwork in my writing practice. This included cutting
    and rearranging previous drafts of my thesis whilst I added new elements
    on post-it notes. Juxtaposition of material from various disciplines brought
    different structures into contact, creating breaks on a philosophic level
    and a methodology of breaking.

    During this time I started to incorporate audience participation into
    my artwork by inviting people to break my sculptures. I developed this
    further by inviting audience participation whilst I presented conference
    papers. This is what I explore in this text. I am particularly interested in the
    passivity in the face of uncertainty, required when approaching processes
    of breaking that involves the unpredictable nature of an audience. I posit
    this as an important creative element.

    I will first give a short account of my practice of breaking writing and
    following this, the development of a methodology of breaking. I will
    then reflect on audience participation in my visual work. From there I
    will focus on four papers where I encouraged the audience to participate;
    recounting and reflecting on what happened and on how I could improve
    the practice. I am continuing to develop this work and to conclude I will
    note what I have learnt so far and look to future developments.
    Original languageEnglish
    Title of host publicationArtistic Research
    Subtitle of host publicationStrategies for Embodiment
    EditorsChristine Fentz, Tom McGuirk
    PublisherNordic Summer University Press
    ISBN (Print)978-8787564953
    Publication statusPublished - Aug 2015

    Keywords

    • art research breaking anarchy

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