Abstract
This chapter explores the cut-up as an active, affirmative and performative technique; a critical intervention in the production of language and human subjectivity. It examines historical uses of cut-up methods, from the collages and cut-up works of the Dadaists and the Beat writers, back to the early modern practice of commonplacing books. It highlights the importance of technology--from the xerox machine to keyboard shortcuts—in opening up the reworking of words, sounds and visuals to a wider population. Finally, it explores how remix theory has been instrumental in engaging issues of authorship, originality, and ownership that cut-up practices pose.
Original language | English |
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Title of host publication | Keywords in Remix Studies |
Editors | Eduardo Navas, Owen Gallagher, xtine burrough |
Place of Publication | London and New York |
Publisher | Routledge |
Chapter | 9 |
Pages | 104-114 |
Number of pages | 11 |
DOIs | |
Publication status | Published - 2017 |