Abstract
SOUND OBJECT SEEING
Andrew Spackman curates a festival-within-a-festival where music and art collide. Where the visual plays a fundamental part of the process and performance. Audiences are taken on a journey where the experience of listening and watching constantly shifts and is re-appraised.
MAMMOTH BEAT ORGAN
(SAM UNDERWOOD/GRAHAM DUNNING)
Mammoth Beat Organ – a modular, mechanical music contraption by Sam Underwood and Graham Dunning. Designed as a two-player, semi-autonomous musical instrument, it plays unusual, sometimes erratic compositions drawing on drone music, minimalist repetition and fairground organ techniques.
DRAWING ORCHESTRA
SAD MAN VS ARTIST RETIRED (RA)
WASTE PAPER OPERA COMPANY
Interdisciplinary theatre collective Waste Paper Opera premiere their new work Syrup Tracing: or, on the significance of rising and/or falling, inspired by Cyrano de Bergerac’s Voyage to the Moon (1657), one of the earliest science fiction novels ever written.
Andrew Spackman curates a festival-within-a-festival where music and art collide. Where the visual plays a fundamental part of the process and performance. Audiences are taken on a journey where the experience of listening and watching constantly shifts and is re-appraised.
MAMMOTH BEAT ORGAN
(SAM UNDERWOOD/GRAHAM DUNNING)
Mammoth Beat Organ – a modular, mechanical music contraption by Sam Underwood and Graham Dunning. Designed as a two-player, semi-autonomous musical instrument, it plays unusual, sometimes erratic compositions drawing on drone music, minimalist repetition and fairground organ techniques.
DRAWING ORCHESTRA
SAD MAN VS ARTIST RETIRED (RA)
WASTE PAPER OPERA COMPANY
Interdisciplinary theatre collective Waste Paper Opera premiere their new work Syrup Tracing: or, on the significance of rising and/or falling, inspired by Cyrano de Bergerac’s Voyage to the Moon (1657), one of the earliest science fiction novels ever written.
Original language | English |
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Publication status | Published - 31 Jan 2020 |