This chapter discusses how a research project focussing on historic regeneration in the Hillfields area of Coventry, UK, led to a co-produced photographic exhibition which challenged dominant narratives of ‘territorial stigmatisation’ (Wacquant, 2007) by attracting positive media and policy attention. The chapter examines the difficult but rewarding process of co-producing this exhibition as a new body of knowledge and a way of seeing historic Hillfields’ life from the situated perspectives of the community partners in the project. This process is assessed as an exploration of how to illustrate historic and competing community narratives. By elevating local knowledge in the public sphere, community partners benefited from positive outcomes. The chapter concludes that this sensitive and emergent approach may challenge both local perceptions of academia and methodological issues when working in and with communities.
|Title of host publication||Co-Producing Research|
|Subtitle of host publication||A Community Development Approach|
|Editors||Sarah Banks, Angie Hart, Kate Pahl, Paul Ward|
|Place of Publication||Bristol|
|Number of pages||26|
|Publication status||Published - 19 Dec 2018|
Kyneswood, B. (2018). Co-production as a new way of seeing: Using photographic exhibitions to challenge dominant stigmatising discourses. In S. Banks, A. Hart, K. Pahl, & P. Ward (Eds.), Co-Producing Research: A Community Development Approach (1st ed., pp. 155-180). Bristol: Policy Press.