Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research

Ania Sadkowska, Katherine Townsend, Jackie Goode

Research output: Contribution to conferencePaper

Abstract

Taking the concept of lace as a networked act involving textile knowledge and skills as well as a practice embodied within Nottingham culture, this paper offers an analysis of a participatory research project designed to engage mature women in the process of co-creating a series of fashion artefacts. Fashion and textile practitioners, Sadkowska and Townsend, have undertaken collaborative research (Sadkowska 2016; Townsend et al. 2016) to understand mature individuals’ experiences of clothing, by identifying new methods of capturing and interpreting embodied wearing practices that can be integrated within the creative research and design process. They offer their reflections on this co-design project based on group activities where dress and textile ‘objects’ become sites for interaction and knowledge exchange. While Goode’s research profile (Goode 2016) displays similar interests, her narrative derives from the perspective of a project participant who has become ‘an active and co-creative’ actor. Her reflection focuses on the increased sense of agency and validation which challenges dominant discourses on ageing based on deterioration and disappearance (Twigg 2013). Underpinned by Tanggaard’s (2013) notion of “the socio-materiality of creativity”, and Skjold’s (2015) concept of the “dress object” the authors reflect on the different experiences that arise in and via the embodied, experiential and participatory research processes. Consequently, the lines between the researchers and the research participants and modes of production and consumption blur as the warp and weft of each narrative becomes temporarily conjoined.

References:
GOODE, J. (2016). Fashioning the Sixties: fashioning narratives of older women. Ageing and Society, pp. 1–21
TANGGAARDE, L. (2015). Socio-materiality of Creativity, Keynote at EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, p.10.
SKJOLD, E. (2015). Making Sense of Dress: On sensory perspectives of wardrobe research, EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, pp 298-310.
TOWNSEND, K., SADKOWSKA, A., and SISSONS J. (2016). Emotional Fit: Developing a new fashion design methodology for mature women. Design Research Society (DRS) Future-Focused Thinking Conference. 27-30 June 2016, Brighton, UK. [full paper available at: http://static1.squarespace.com/static/55ca3eafe4b05bb65abd54ff/t/5749894960b5e9b0a773c19a/1464437069936/422+Townsend.pdf]
TWIGG, J. (2013). Fashion and Age: Dress, the Body and Later Life. London: Bloomsbury.
SADKOWSKA, A. (2016). Arts- Informed Interpretative Phenomenological Analysis: Understanding older men’s experiences of ageing through the lens of fashion and clothing. Unpublished PhD thesis, Nottingham: Nottingham Trent University, UK.
Original languageEnglish
Publication statusPublished - Jan 2017
EventMissing Persons: contemporary histories of textile knowledge, skills, technologies and materials - Nottingham Contemporary, Nottingham, United Kingdom
Duration: 16 Jan 201717 Jan 2017

Conference

ConferenceMissing Persons: contemporary histories of textile knowledge, skills, technologies and materials
CountryUnited Kingdom
CityNottingham
Period16/01/1717/01/17

Fingerprint

clothing
narrative
Denmark
creativity
mode of production
experience
research process
school
research planning
artifact
research project
art
discourse
methodology
interaction
knowledge
Group
Society

Keywords

  • mature women
  • fashion and clothing
  • ageing
  • co-design
  • participatory research

Cite this

Sadkowska, A., Townsend, K., & Goode, J. (2017). Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research. Paper presented at Missing Persons: contemporary histories of textile knowledge, skills, technologies and materials, Nottingham, United Kingdom.

Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research. / Sadkowska, Ania; Townsend, Katherine; Goode, Jackie.

2017. Paper presented at Missing Persons: contemporary histories of textile knowledge, skills, technologies and materials, Nottingham, United Kingdom.

Research output: Contribution to conferencePaper

Sadkowska, A, Townsend, K & Goode, J 2017, 'Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research' Paper presented at Missing Persons: contemporary histories of textile knowledge, skills, technologies and materials, Nottingham, United Kingdom, 16/01/17 - 17/01/17, .
Sadkowska A, Townsend K, Goode J. Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research. 2017. Paper presented at Missing Persons: contemporary histories of textile knowledge, skills, technologies and materials, Nottingham, United Kingdom.
Sadkowska, Ania ; Townsend, Katherine ; Goode, Jackie. / Co-designing, co-experiencing, co-authoring: blurring the lines in participatory research. Paper presented at Missing Persons: contemporary histories of textile knowledge, skills, technologies and materials, Nottingham, United Kingdom.
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N2 - Taking the concept of lace as a networked act involving textile knowledge and skills as well as a practice embodied within Nottingham culture, this paper offers an analysis of a participatory research project designed to engage mature women in the process of co-creating a series of fashion artefacts. Fashion and textile practitioners, Sadkowska and Townsend, have undertaken collaborative research (Sadkowska 2016; Townsend et al. 2016) to understand mature individuals’ experiences of clothing, by identifying new methods of capturing and interpreting embodied wearing practices that can be integrated within the creative research and design process. They offer their reflections on this co-design project based on group activities where dress and textile ‘objects’ become sites for interaction and knowledge exchange. While Goode’s research profile (Goode 2016) displays similar interests, her narrative derives from the perspective of a project participant who has become ‘an active and co-creative’ actor. Her reflection focuses on the increased sense of agency and validation which challenges dominant discourses on ageing based on deterioration and disappearance (Twigg 2013). Underpinned by Tanggaard’s (2013) notion of “the socio-materiality of creativity”, and Skjold’s (2015) concept of the “dress object” the authors reflect on the different experiences that arise in and via the embodied, experiential and participatory research processes. Consequently, the lines between the researchers and the research participants and modes of production and consumption blur as the warp and weft of each narrative becomes temporarily conjoined. References: GOODE, J. (2016). Fashioning the Sixties: fashioning narratives of older women. Ageing and Society, pp. 1–21 TANGGAARDE, L. (2015). Socio-materiality of Creativity, Keynote at EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, p.10. SKJOLD, E. (2015). Making Sense of Dress: On sensory perspectives of wardrobe research, EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, pp 298-310. TOWNSEND, K., SADKOWSKA, A., and SISSONS J. (2016). Emotional Fit: Developing a new fashion design methodology for mature women. Design Research Society (DRS) Future-Focused Thinking Conference. 27-30 June 2016, Brighton, UK. [full paper available at: http://static1.squarespace.com/static/55ca3eafe4b05bb65abd54ff/t/5749894960b5e9b0a773c19a/1464437069936/422+Townsend.pdf] TWIGG, J. (2013). Fashion and Age: Dress, the Body and Later Life. London: Bloomsbury. SADKOWSKA, A. (2016). Arts- Informed Interpretative Phenomenological Analysis: Understanding older men’s experiences of ageing through the lens of fashion and clothing. Unpublished PhD thesis, Nottingham: Nottingham Trent University, UK.

AB - Taking the concept of lace as a networked act involving textile knowledge and skills as well as a practice embodied within Nottingham culture, this paper offers an analysis of a participatory research project designed to engage mature women in the process of co-creating a series of fashion artefacts. Fashion and textile practitioners, Sadkowska and Townsend, have undertaken collaborative research (Sadkowska 2016; Townsend et al. 2016) to understand mature individuals’ experiences of clothing, by identifying new methods of capturing and interpreting embodied wearing practices that can be integrated within the creative research and design process. They offer their reflections on this co-design project based on group activities where dress and textile ‘objects’ become sites for interaction and knowledge exchange. While Goode’s research profile (Goode 2016) displays similar interests, her narrative derives from the perspective of a project participant who has become ‘an active and co-creative’ actor. Her reflection focuses on the increased sense of agency and validation which challenges dominant discourses on ageing based on deterioration and disappearance (Twigg 2013). Underpinned by Tanggaard’s (2013) notion of “the socio-materiality of creativity”, and Skjold’s (2015) concept of the “dress object” the authors reflect on the different experiences that arise in and via the embodied, experiential and participatory research processes. Consequently, the lines between the researchers and the research participants and modes of production and consumption blur as the warp and weft of each narrative becomes temporarily conjoined. References: GOODE, J. (2016). Fashioning the Sixties: fashioning narratives of older women. Ageing and Society, pp. 1–21 TANGGAARDE, L. (2015). Socio-materiality of Creativity, Keynote at EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, p.10. SKJOLD, E. (2015). Making Sense of Dress: On sensory perspectives of wardrobe research, EKSIG 2015, Tangible Means, Design School Kolding, Denmark 25-26 November, EKSIG2015 Proceedings pdf, pp 298-310. TOWNSEND, K., SADKOWSKA, A., and SISSONS J. (2016). Emotional Fit: Developing a new fashion design methodology for mature women. Design Research Society (DRS) Future-Focused Thinking Conference. 27-30 June 2016, Brighton, UK. [full paper available at: http://static1.squarespace.com/static/55ca3eafe4b05bb65abd54ff/t/5749894960b5e9b0a773c19a/1464437069936/422+Townsend.pdf] TWIGG, J. (2013). Fashion and Age: Dress, the Body and Later Life. London: Bloomsbury. SADKOWSKA, A. (2016). Arts- Informed Interpretative Phenomenological Analysis: Understanding older men’s experiences of ageing through the lens of fashion and clothing. Unpublished PhD thesis, Nottingham: Nottingham Trent University, UK.

KW - mature women

KW - fashion and clothing

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