Carousel: Ruination & Reconnection

Jane Ball

Carousel: Ruination & Reconnection

Research output: Contribution to conference › Paper

Abstract

This paper reflects on the author’s experiences of a residency in Gyumri, Armenia, during the research and relationship-building phase of #3CityLink. In particular it focuses on an artwork entitled Carousel made in response to this context. Through a series of participatory interventions mirroring one another across geographically disparate communities Carousel references faulty, and disrupted technological systems of communication to critique the interrupted and disrupted aspects of social relationships. Drawing on Bruno Latour’s Actor Network Theory, the author challenges notions of the self-preserving system and examines the potential for translocal, dialogic art practices to create new forms of conversation and engender meaningful work. These findings are mapped back on to the #3CityLink project

Original language	English
Publication status	Published - Jul 2015
Event	Tenth International Conference on The Arts in Society: The Work of Art in the Age of Networked Society - Imperial College, London, United Kingdom Duration: 22 Jul 2015 → 24 Jul 2015

Conference

Conference	Tenth International Conference on The Arts in Society
Country	United Kingdom
City	London
Period	22/07/15 → 24/07/15

Bibliographical note

Carousel: Ruination & Reconnection, is a solo authored conference paper that was presented at the Tenth International Conference on The Arts in Society: The Work of Art in the Age of Networked Society, at Imperial College, London, UK 22-24th July 2015. The paper reflected on the authors experiences during her participation in the Armenian Art Centre of Social Studies (ACOSS) Summer International Art/Research residency, (August 18th- 30th 2014 please see: http://www.acoss.org/index.php?option=com_content&view=category&layout=blog&id=42&Itemid=100&limitstart=7 ) and mapped these back on to the #3 City Link project.

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Ball, J. (2015). Carousel: Ruination & Reconnection. Paper presented at Tenth International Conference on The Arts in Society, London, United Kingdom.

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