In this chapter I address the processes of exclusion by which the discourse of practice-as-research is constituted and sustained. I ask: what is or is not practice; what is or is not practice-as-research; and why or why not to choose to call practice research? By interrogating the boundaries of practice-as research - within which I practice research - I probe the value systems through which entangled knowledges become differentiated.
|Title of host publication||A World of Muscle, Bone and Organ: Research and Scholarship in Dances|
|Editors||Simon Ellis, Hetty Blades, Charlotte Wealde|
|Number of pages||21|
|Publication status||Published - May 2018|
Naccarato, T. (2018). Artistic Practice as Research: A Genealogical account. In S. Ellis, H. Blades, & C. Wealde (Eds.), A World of Muscle, Bone and Organ: Research and Scholarship in Dances (pp. 435-455). C-DaRE.