Anti-Bourgeois Theory

Research output: Contribution to journalArticle

2 Downloads (Pure)

Abstract

In his celebrated 2009 memoir Returning to Reims, the Parisian intellectual and theorist Didier Eribon travels home for the first time in thirty years following the death of his father. There he tries to account for the change in politics of his working class family over the period he has been away: from supporting the Communist Party to voting for the National Front. But Eribon also discusses the transition he himself has undergone as a result of having escaped his working class culture and environment through education, and how this has left him unsure whom it is he is actually writing for. He may be addressing the question of what it means to grow up poor and gay, however he is aware few working class people are ever likely to read his book.

At the same time, Eribon emphasizes that his non-conforming identity has left him with a sense of just how important it is to display a ‘lack of respect for the rules’ of bourgeois liberal humanist ‘decorum that reign in university circles’, and that insist ‘people follow established norms regarding “intellectual debate” when what is at stake clearly has to do with political struggle’. Together with his friend Édouard Louis and partner Geoffroy de Lagasnerie, Eribon wants to ‘rethink’ the antihumanist theoretical tradition of Foucault, Derrida, Cixous et al. to produce a theory ‘in which something is at stake’: a theory that speaks about ‘class, exploitation, violence, repression, domination, intersectionality’, and yet has the potential to generate the same kind of power and excitement as ‘a Kendrick Lamar concert’.

With ‘Anti-Bourgeois Theory’ I likewise want to reinvent what it means to theorise by showing a certain lack of respect for the rules of bourgeois decorum the university hardly ever questions. I want do so, however, by also breaking with those bourgeois liberal humanist conventions of intellectual debate that – for all his emphasis on rebelling ‘in and through’ the technologies of knowledge production – continue to govern the antihumanist theoretical tradition Eribon and his collaborators are associated with. Included in these conventions are culturally normative ideas of the human subject, the proprietorial author, the codex print book, critical reflection, linear thought, the long-form argument, self-expression, originality, creativity, fixity and copyright. I will argue that even the current landfill of theoretical literature on the posthuman and the Anthropocene is merely a form of bourgeois liberal humanism that is padded with nonhuman stuffing – technologies, objects, animals, insects, plants, fungi, compost, microbes, stones, geological formations – to make it appear different. Can we not do better than this?
Original languageEnglish
Pages (from-to)1-26
Number of pages26
JournalMedia Theory
Volume3
Issue number2
Publication statusPublished - 20 Dec 2019

Fingerprint

working class
respect
working class culture
National Front
intersectionality
university
humanism
lack
concert
communist party
knowledge production
repression
intellectual
domination
creativity
voting
exploitation
father
animal
travel

Bibliographical note

Open access. Published under a Creative Commons (CC-BY-NC-ND) licence.

Keywords

  • Class
  • culture
  • environment
  • climate crisis
  • liberalism
  • humanism
  • posthuman
  • inhuman

Cite this

Anti-Bourgeois Theory. / Hall, Gary.

In: Media Theory, Vol. 3, No. 2, 20.12.2019, p. 1-26.

Research output: Contribution to journalArticle

Hall, G 2019, 'Anti-Bourgeois Theory' Media Theory, vol. 3, no. 2, pp. 1-26.
Hall G. Anti-Bourgeois Theory. Media Theory. 2019 Dec 20;3(2):1-26.
Hall, Gary. / Anti-Bourgeois Theory. In: Media Theory. 2019 ; Vol. 3, No. 2. pp. 1-26.
@article{69684948f5584daba60e8f386f487444,
title = "Anti-Bourgeois Theory",
abstract = "In his celebrated 2009 memoir Returning to Reims, the Parisian intellectual and theorist Didier Eribon travels home for the first time in thirty years following the death of his father. There he tries to account for the change in politics of his working class family over the period he has been away: from supporting the Communist Party to voting for the National Front. But Eribon also discusses the transition he himself has undergone as a result of having escaped his working class culture and environment through education, and how this has left him unsure whom it is he is actually writing for. He may be addressing the question of what it means to grow up poor and gay, however he is aware few working class people are ever likely to read his book.At the same time, Eribon emphasizes that his non-conforming identity has left him with a sense of just how important it is to display a ‘lack of respect for the rules’ of bourgeois liberal humanist ‘decorum that reign in university circles’, and that insist ‘people follow established norms regarding “intellectual debate” when what is at stake clearly has to do with political struggle’. Together with his friend {\'E}douard Louis and partner Geoffroy de Lagasnerie, Eribon wants to ‘rethink’ the antihumanist theoretical tradition of Foucault, Derrida, Cixous et al. to produce a theory ‘in which something is at stake’: a theory that speaks about ‘class, exploitation, violence, repression, domination, intersectionality’, and yet has the potential to generate the same kind of power and excitement as ‘a Kendrick Lamar concert’. With ‘Anti-Bourgeois Theory’ I likewise want to reinvent what it means to theorise by showing a certain lack of respect for the rules of bourgeois decorum the university hardly ever questions. I want do so, however, by also breaking with those bourgeois liberal humanist conventions of intellectual debate that – for all his emphasis on rebelling ‘in and through’ the technologies of knowledge production – continue to govern the antihumanist theoretical tradition Eribon and his collaborators are associated with. Included in these conventions are culturally normative ideas of the human subject, the proprietorial author, the codex print book, critical reflection, linear thought, the long-form argument, self-expression, originality, creativity, fixity and copyright. I will argue that even the current landfill of theoretical literature on the posthuman and the Anthropocene is merely a form of bourgeois liberal humanism that is padded with nonhuman stuffing – technologies, objects, animals, insects, plants, fungi, compost, microbes, stones, geological formations – to make it appear different. Can we not do better than this?",
keywords = "Class, culture, environment, climate crisis, liberalism, humanism, posthuman, inhuman",
author = "Gary Hall",
note = "Open access. Published under a Creative Commons (CC-BY-NC-ND) licence.",
year = "2019",
month = "12",
day = "20",
language = "English",
volume = "3",
pages = "1--26",
journal = "Media Theory",
issn = "2557-826X",
number = "2",

}

TY - JOUR

T1 - Anti-Bourgeois Theory

AU - Hall, Gary

N1 - Open access. Published under a Creative Commons (CC-BY-NC-ND) licence.

PY - 2019/12/20

Y1 - 2019/12/20

N2 - In his celebrated 2009 memoir Returning to Reims, the Parisian intellectual and theorist Didier Eribon travels home for the first time in thirty years following the death of his father. There he tries to account for the change in politics of his working class family over the period he has been away: from supporting the Communist Party to voting for the National Front. But Eribon also discusses the transition he himself has undergone as a result of having escaped his working class culture and environment through education, and how this has left him unsure whom it is he is actually writing for. He may be addressing the question of what it means to grow up poor and gay, however he is aware few working class people are ever likely to read his book.At the same time, Eribon emphasizes that his non-conforming identity has left him with a sense of just how important it is to display a ‘lack of respect for the rules’ of bourgeois liberal humanist ‘decorum that reign in university circles’, and that insist ‘people follow established norms regarding “intellectual debate” when what is at stake clearly has to do with political struggle’. Together with his friend Édouard Louis and partner Geoffroy de Lagasnerie, Eribon wants to ‘rethink’ the antihumanist theoretical tradition of Foucault, Derrida, Cixous et al. to produce a theory ‘in which something is at stake’: a theory that speaks about ‘class, exploitation, violence, repression, domination, intersectionality’, and yet has the potential to generate the same kind of power and excitement as ‘a Kendrick Lamar concert’. With ‘Anti-Bourgeois Theory’ I likewise want to reinvent what it means to theorise by showing a certain lack of respect for the rules of bourgeois decorum the university hardly ever questions. I want do so, however, by also breaking with those bourgeois liberal humanist conventions of intellectual debate that – for all his emphasis on rebelling ‘in and through’ the technologies of knowledge production – continue to govern the antihumanist theoretical tradition Eribon and his collaborators are associated with. Included in these conventions are culturally normative ideas of the human subject, the proprietorial author, the codex print book, critical reflection, linear thought, the long-form argument, self-expression, originality, creativity, fixity and copyright. I will argue that even the current landfill of theoretical literature on the posthuman and the Anthropocene is merely a form of bourgeois liberal humanism that is padded with nonhuman stuffing – technologies, objects, animals, insects, plants, fungi, compost, microbes, stones, geological formations – to make it appear different. Can we not do better than this?

AB - In his celebrated 2009 memoir Returning to Reims, the Parisian intellectual and theorist Didier Eribon travels home for the first time in thirty years following the death of his father. There he tries to account for the change in politics of his working class family over the period he has been away: from supporting the Communist Party to voting for the National Front. But Eribon also discusses the transition he himself has undergone as a result of having escaped his working class culture and environment through education, and how this has left him unsure whom it is he is actually writing for. He may be addressing the question of what it means to grow up poor and gay, however he is aware few working class people are ever likely to read his book.At the same time, Eribon emphasizes that his non-conforming identity has left him with a sense of just how important it is to display a ‘lack of respect for the rules’ of bourgeois liberal humanist ‘decorum that reign in university circles’, and that insist ‘people follow established norms regarding “intellectual debate” when what is at stake clearly has to do with political struggle’. Together with his friend Édouard Louis and partner Geoffroy de Lagasnerie, Eribon wants to ‘rethink’ the antihumanist theoretical tradition of Foucault, Derrida, Cixous et al. to produce a theory ‘in which something is at stake’: a theory that speaks about ‘class, exploitation, violence, repression, domination, intersectionality’, and yet has the potential to generate the same kind of power and excitement as ‘a Kendrick Lamar concert’. With ‘Anti-Bourgeois Theory’ I likewise want to reinvent what it means to theorise by showing a certain lack of respect for the rules of bourgeois decorum the university hardly ever questions. I want do so, however, by also breaking with those bourgeois liberal humanist conventions of intellectual debate that – for all his emphasis on rebelling ‘in and through’ the technologies of knowledge production – continue to govern the antihumanist theoretical tradition Eribon and his collaborators are associated with. Included in these conventions are culturally normative ideas of the human subject, the proprietorial author, the codex print book, critical reflection, linear thought, the long-form argument, self-expression, originality, creativity, fixity and copyright. I will argue that even the current landfill of theoretical literature on the posthuman and the Anthropocene is merely a form of bourgeois liberal humanism that is padded with nonhuman stuffing – technologies, objects, animals, insects, plants, fungi, compost, microbes, stones, geological formations – to make it appear different. Can we not do better than this?

KW - Class

KW - culture

KW - environment

KW - climate crisis

KW - liberalism

KW - humanism

KW - posthuman

KW - inhuman

UR - http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/91

M3 - Article

VL - 3

SP - 1

EP - 26

JO - Media Theory

JF - Media Theory

SN - 2557-826X

IS - 2

ER -