Abstract
The popular music performance undergraduate degree is a growing area within UK higher education. These courses carry a vocational emphasis and are popular with students looking to establish professional performing careers. As such, they are often marketed as an intermediary step towards this aspiration but, despite their popularity, there has been little critical review into their effectiveness. This article, based on doctoral research conducted by the author, draws on semi-structured interviews conducted with 12 second- and third-year undergraduates studying popular music performance-based courses. The article presents data and analysis concerning the motivations for study, perceptions of vocational value and the concerns around establishing professional careers. Concerns across four key areas are identified: (a) issues of negative public perception; (b) problematic conceptions of the popular music industries (PMI); (c) the value of practical experience over and above qualifications; and (d) negative narratives concerning developments in digital technologies and their effect on career opportunities. Implications from the article include the need for higher education providers (HEPs) to challenge students’ misconceptions concerning professional careers in the new popular music industries.
Original language | English |
---|---|
Pages (from-to) | 327-341 |
Number of pages | 15 |
Journal | International Journal of Music Education |
Volume | 37 |
Issue number | 2 |
Early online date | 11 Apr 2019 |
DOIs | |
Publication status | Published - May 2019 |
Externally published | Yes |
Bibliographical note
Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders.Keywords
- Career
- higher education
- motivation
- performance
- popular music