Activities per year
Abstract
Kings Heath: A Good Enough Place is a practice-research film developed in Kings Heath, Northampton, a neighbourhood shaped by post-war planning, migration, generational change and uneven development. The film investigates how testimony can function within socially engaged and place-based research beyond models that prioritise representation, consensus or deliberation.
Through three independently recorded testimonies situated within the estate's everyday environments, the film explores how people experience, remember and relate to place. Participants do not meet or enter into dialogue. Instead, their voices are placed in relation through editing, juxtaposition and temporal proximity. Memories of a thriving local centre are set against contemporary images of vacant shop units, while personal stories of arrival, attachment and everyday life unfold alongside observations of landscape and the built environment.
The film develops and demonstrates Encounter-Based Montage, a practice research methodology in which editing functions as a site of relation rather than a mechanism for organising or resolving meaning. Meaning emerges through encounters between voices, places and viewers, allowing ambiguity, plurality and difference to remain intact. Rather than presenting testimony as evidence, the film examines how montage can generate new understandings of place through the relationships created between accounts, environments and spectators.
The work contributes to wider research into the role of artistic practice in supporting associational life and collective reflection in communities experiencing social and civic change. It offers an original methodological contribution to participatory film and place-based research through the development of Encounter-Based Montage as a framework for producing and interpreting testimon
Through three independently recorded testimonies situated within the estate's everyday environments, the film explores how people experience, remember and relate to place. Participants do not meet or enter into dialogue. Instead, their voices are placed in relation through editing, juxtaposition and temporal proximity. Memories of a thriving local centre are set against contemporary images of vacant shop units, while personal stories of arrival, attachment and everyday life unfold alongside observations of landscape and the built environment.
The film develops and demonstrates Encounter-Based Montage, a practice research methodology in which editing functions as a site of relation rather than a mechanism for organising or resolving meaning. Meaning emerges through encounters between voices, places and viewers, allowing ambiguity, plurality and difference to remain intact. Rather than presenting testimony as evidence, the film examines how montage can generate new understandings of place through the relationships created between accounts, environments and spectators.
The work contributes to wider research into the role of artistic practice in supporting associational life and collective reflection in communities experiencing social and civic change. It offers an original methodological contribution to participatory film and place-based research through the development of Encounter-Based Montage as a framework for producing and interpreting testimon
| Original language | English |
|---|---|
| Media of output | Film |
| Publication status | Published - 9 Oct 2025 |
Keywords
- participatory film
- testimony
- montage
- place-based practice
- urban change
- encounter
- Practice -research
- Northampton
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Dive into the research topics of 'A Good Enough Place: Traces of Care, Use, and Everyday Life in Kings Heath: Encounter-Based Montage and Testimony in Place-Based Practice Research'. Together they form a unique fingerprint.-
Art and Politics: Dissent, Protest, and Agency in Artistic Practice
Jordan, M. (Speaker) & Hewitt, A. (Speaker)
14 Sept 2024Activity: Talk or presentation › Invited talk
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The Arts in Solidarity - Navigating Funding Constraints and Shifting Paradigms of Growth and Competition
Jordan, M. (Organising Committee) & Hewitt, A. (Organising Committee)
13 Apr 2024Activity: Participating in or organising an event › Public Engagement Event
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Social Art Club: Mapping Kiosk
Jordan, M., Hewitt, A. & Wright, M., 10 Jun 2025, 36 p.Research output: Book/Report › Project Report
File -
What Is To Be Done? Arts Role In Rebuilding Associational Life
Jordan, M. & Hewitt, A., 10 Mar 2025, Livable Cities London: A Critique of Issues Affecting Life in Cities . 39.1 ed. AMPS, p. 234-242 9 p. (AMPS Proceedings).Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding › peer-review
Open AccessFile -
Dissent: Art and Protest in Northamptonshire
Jordan, M. (Curator) & Hewitt, A. (Curator), 13 Sept 2024Research output: Practice-Based and Non-textual Research › Exhibition
File
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