Abstract
This article develops the dancers’ choreographic notebook as a cross-disciplinary documentational device in the representation and analysis of multi-sensual qualitative sources. Drawing upon fieldwork collected during a London-based research placement with the dance company BalletBoyz, I endeavour to extend critical debates around the body and performance within human geography to examine the ‘more-than-representational’ methodological possibilities affiliated with performativity and its allied body of literature. In performing this methodological approach, I first hope to encourage experimental and creative documentational methods for conducting vibrant, engaging geographies of the body. Second, I affirm the centrality of sensuous, embodied accounts in the research process. Finally, this article seeks to equip others in their investigations into re-imagining what ‘physical’ thinking might look like. In documenting the body, I hope a space may be created to rethink the ontology of the body beyond the dualisms of absence or present.
| Original language | English |
|---|---|
| Pages (from-to) | 221-245 |
| Number of pages | 25 |
| Journal | Cultural Geographies |
| Volume | 23 |
| Issue number | 2 |
| Early online date | 25 Feb 2015 |
| DOIs | |
| Publication status | Published - 1 Apr 2016 |
| Externally published | Yes |
Keywords
- Dance
- Ephemerality
- Experimental
- Methodology
- non-representational
- Performance landscape