A Case of Financial Writing: Jay McInerney's Brightness Falls and the Hermeneutic of the New Economy

Research output: Contribution to journalArticle

Abstract

Since the mid-1970s, New York City has been a hub for the rise to dominance and consolidation of the FIRE (finance, insurance, and real estate) industry. This transition from an older regime of industrial manufacturing to a new regime of finance, real estate, and risk-mediated transactions has resulted into new socio-spatial and cultural formations. New York fiction itself has tackled these changes, and an extraordinary exemplar of such literature is Jay McInerney's Brightness Falls (1992). The present article is the outcome of interdisciplinary “field work” that combines analyses of fictional, nonfictional, and critical writing, archival research, geographical, cultural, and political theories. More specifically, this fine-grained critique of the novel and its satellite writings deals with the emerging relationship between the arts and the new FIRE economy, manifest through relations of power in the market place, with consequences upon authorial and publishing practices, rhetoric, and the discourses of everyday life.
Original languageEnglish
Pages (from-to)469-492
Number of pages24
JournalInterdisciplinary Literary Studies
Volume17
Issue number4
DOIs
Publication statusPublished - 2015

Fingerprint

Hermeneutics
Real Estate
Brightness
Finance
New Economy
Insurance
Fiction
Cultural Theory
Manufacturing
Archival Research
Economy
Rise
Field Work
Consolidation
Discourse
Old Regime
Industry
Art
Rhetoric
1970s

Bibliographical note

This article is not available on the repository

Keywords

  • New York
  • writing
  • urban space
  • finance
  • economy
  • 1980s New York
  • literary geography

Cite this

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title = "A Case of Financial Writing: Jay McInerney's Brightness Falls and the Hermeneutic of the New Economy",
abstract = "Since the mid-1970s, New York City has been a hub for the rise to dominance and consolidation of the FIRE (finance, insurance, and real estate) industry. This transition from an older regime of industrial manufacturing to a new regime of finance, real estate, and risk-mediated transactions has resulted into new socio-spatial and cultural formations. New York fiction itself has tackled these changes, and an extraordinary exemplar of such literature is Jay McInerney's Brightness Falls (1992). The present article is the outcome of interdisciplinary “field work” that combines analyses of fictional, nonfictional, and critical writing, archival research, geographical, cultural, and political theories. More specifically, this fine-grained critique of the novel and its satellite writings deals with the emerging relationship between the arts and the new FIRE economy, manifest through relations of power in the market place, with consequences upon authorial and publishing practices, rhetoric, and the discourses of everyday life.",
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